Quantcast
Viewing all 1889 articles
Browse latest View live

Typewriter Update

Korean keyboard typewriter
The National Hangul Museum in Yongsan, Seoul, devoted to the Hangul language, opened earlier in the month and contains the oldest Korean language typewriter, Song Ki-Ju's Underwood portableHangul is a featural alphabet of 24 consonant and vowel letters.
At age 25, Song Ki-Ju graduated from Yonhee College (now Yonsei University) in Seoul and went to the US in 1925. He received his BA from Texas State University the next year. In 1926 he was employed by Chicago mapmakers Rand McNally & Company. While there he invented the Hangul keyboard by arranging 42 keys on the Underwood. In 1933 he entered an agreement with the Underwood Typewriter Company in New York to make the machine, but it was not patented in the US at that time. Ophthalmologist Pyung Woo Kong (1907-95) had tried to buy out Song's invention without success, but when Song was abducted to North Korea during the Korean War, Dr Kong patented the keyboard in the US in 1953:
Song Ki-Ju's grandson, Song Se-young, has donated the typewriter to the museum. The arrangement of vowels and consonants of the complex Korean alphabet allowed users to efficiently form Hangul words. See Korea Times story here.
How to treat an old typewriter
See stories on the "Last Typewriter Repairman", Bob Montgomery of Bremerton, Washington, here, here and here. Mr Montgomery will turn 93 next January 26.
How NOT to treat a typewriter
Akil Rahemtullah, owner of B Sleuth & Statesman Inc, a store in the Exchange Centre in downtown Toronto, sells "one of a kind cuff links made from old typewriter keys". See Toronto Star article here.
Turkish Delight
Doğan Hızlan writes in the Hürriyet Daily News: "We do not use typewriters anymore. We have donated them to museums or libraries; or maybe we keep them among our antique goods.  I can still see typewriters in the windows of stationary stores while going down the slope from Cağaloğlu to Sirkeci. There must be a demand for them since they are being showcased. Most of the typewriters sold in Turkey currently are second-hand, reportedly. But there is still a typewriter repair shop in Babıâli. If you have a typewriter, take it down from its dusty shelve. If you don’t have one, go and buy one immediately. If you ask me why, let me say that the typewriter is the safest writing tool." See the full "Typewriters are coming back" column here. See story in Turkish on typewriter repairman (image above) here.
One for Marty Rice: The Hemingwrite
Amanada Lewan at Michipreneur reports: "A writer in the digital age has plenty of savvy digital tools, and plenty of never-ending distractions. While there’s software out there to remove those distractions, Michigan entrepreneur Adam Leeb has come up with a whole new product to make the writing process better. Inspired by the traditional typewriter, Hemingwrite could be a writer’s new best friend. Leeb says it’s especially helpful for those who don’t write full time. 'We wanted to create a single purpose tool. There wasn’t really a modern tool that helps people move forward without direction,' said Leeb." See story here.
While we're on the subject of Papa Hem, Amanda Kooser at CNET repeats the one about Hemingway "leaning over a desk".
Old Typewriter Ads
Bette Davis Eyes
Bob Dylan hands
Time to think about Christmas cards
At the Movies: Pick the Typewriter
Liam Neeson in A Walk Among the Tombstones
Miss Typewriter

The Touch Suited Us: Australia's Largest Typewriter Order

June 1914
This announcement was made by Henry Gray Cambridge (1868-1922), who established the Union Trust-controlled United Typewriter and Supplies Company in Australia in 1895.
Cambridge
1914 advert
The Australian Minister for Home Affairs at the time this order was placed was Prime Minister Joseph Cook(1860-1947). The acting head of the department was Walter David Bingle (1861-1928).
 Joseph Cook
 Bingle
1914 advert

Women's Rights: The Majesty of the Typewriter

Don't Try This at Home (with a 1970s typewriter)

One of the more noticeable structural differences between pre-1939 typewriters and those made in the 1970s lies in the quality of the metal used in the typebars and key levers. (One notable exception to the rule is the Olympia SM9).
The above demonstration, carried out at the Salter factory in West Bromwich in England in 1914, shows two Salter Visibles, probably weighing together as much as 40lbs or more, being suspended from a single Salter typebar.
The typebar was made of spring steela low-alloy, medium-to high-carbon steel with a very high yield strength. This allowed typebars to return to their original shape regardless of significant bending or twisting.
Salter was, of course, more noted for its springs and scales than typewriters, but the materials used would have been up to the same standards.
Above, this touch test, using just a slight amount of pressure, gives a good indication of the amount of "give" in a 2013 Royal Scrittore I portable typewriter's typebars. They would be very easy to bend permanently.
With the exactly same amount of pressure on a 1938 Bar-Lock portable's typebars, there is almost no "play" whatsoever. Released, they spring back as they were.
Quick Quiz.
What part a typewriter is shown below?:

The Arabic Typewriter Keyboard and the Syrian Artist

This portrait of Vienna-born Sir Rudolf Carl Freiherr von Slatin ("Slatin Pasha", 1857-1932) was painted in Cairo in Egypt in 1897 by Syrian artist Selim Shibli Haddad (1864-), the man who developed the first successful Arabic typewriter keyboard. Slatin was an Austrian officer, explorer and Egyptian governor in the Turkish-Egyptian Sudan.
Below is Richard Polt's 1964 Arabic language Olympia SM5, the keyboard of which appears to me to be almost identical to the keyboard Haddad designed for a Monarch typewriter in 1914.
Here is Richard's Erika with what seems to be the same Arabic keyboard:
Earlier this year Tom Furrier also had this Imperial Good Companion at the Cambridge Typewriter Shop:
According to Typewriter Topicsin January 1915, Haddad had originally designed his keyboard for a New Century typewriter, and later adapted it to a Monarch, for which he had the Cairo agency. Many sources say Haddad worked on this 1914 keyboard in conjunction with Philip Wakid.Wakid was apparently also a typewriter agent in Cairo, but US patents and a 1904 interview with Haddad in The New York Times(see below) indicate Haddad worked alone on this invention.
When Haddad patented his keyboard in the US in 1899, it was apparent that he not only had typebar typewriters in mind, but single type element typewriters as well. He visited the US for the 1893 Chicago World's Fair, the Columbian Exposition, where he would have seen the Blickensderfer. He called Figure 6 (below) a typewheel, though it appears to be more like a Crandall typesleeve. 
Blickensderfer did indeed bring out its Oriental with an Arabic typewheel in 1908, but whether it has a Haddad keyboard is not known. I haven't seen one close-up, so it's hard to tell:
The New York Times interviewed Haddad in August, 1904. At that time, Haddad was visiting the US to promote his Arabic keyboard typewriter. US and Australian newspapers reported "America is to manufacture typewriters for Syria, the machines being fitted with a new alphabet of 53 characters, which was arranged recently by Selim Haddad, a Syrian artist and inventor. The actual Syrian alphabet contains 638 characters."
"Haddad arrived in Washington recently for the purpose of completing arrangements with the Turkish legation in that city for presenting the Sultan of Turkey a sample of what he says is the first typewriter ever invented that writes successfully the Turkish, Arabic and Persian languages. One his typewriters is also to be presented to the Khedive of Egypt by the inventor."
"Haddad has been at work on this machine for five years and had it manufactured in the United Slates. Other typewriters writing these languages have been invented, but Haddad says they were never a success.  The cylinder moves from left to right instead of from right to left, but in most respects the machine looks like the typewriters of America."
"Until five years ago Haddad was a painter at Cairo, but since that time he has devoted nearly all of his energies toward perfecting this new invention, and has had the typewriter patented in this country, Europe and Egypt."

The Times said Haddad was born in "Abbaeih", which is possibly Al-Bahluliyah in Latakia in north-western Syria.
Haddad's 1899 patent has been referenced in numerous US patents since, perhaps most notably for Li Yutang's 1946 Chinese typewriter but also for Seyed Khalil's 1957 design for Royal McBee:
As well as Haddad's design, in 1899 Englishmen Arthur Rhuvon Guest and Ernest Tatham Richmond designed Arabic type for a typewriter (#639379). The following year Baron Paul Tcherkassov, of St Petersburg, Russia, and American Robert Erwin Hill, of Chicago, applied for a patent for Arabic typewriter type (#714621). In 1914, the same year Haddad adapted his keyboard for a Monarch, a Turk, Vassaf Kadry, designed an Arabic language keyboard for Underwood (#1213880).

Memories Are Made of This

Image may be NSFW.
Clik here to view.
Image may be NSFW.
Clik here to view.
It was Herman Price's 63rd birthday yesterday. I tried to send a virtual birthday cake, but couldn't work out how to do it, so sent a virtual card instead. Still, my thoughts naturally began to wander through Herman's Chestnut Ridge Typewriter Museum in Fairmont, West Virginia, where this coming weekend the seventh edition of the annual typewriter collectors' gathering will take place. This time last year I was at the gathering, hosted by Herman and attended by such other luminaries as Richard Polt, Martin Howard, Peter Weil, Paul Robert, Alan Seaver, Mike Brown, Martin Rice, Dennis Clark, Greg Fudacz and Will Davis. To suggest I had the "time of my life" there would be the understatement of the 21st century.
A couple of Saturdays ago, when the Melbourne Age Spectrum section ran a feature on Helen Garner's Corona 3 folding portable typewriter, I whipped down to the closest newsagency first thing in the morning and bought a copy. While I was there, I thought I might as well buy a lottery ticket. I didn't think much more about the ticket until about a week ago, when it suddenly occurred to me that it wasn't too late to make it back to West Virginia. I went to a travel agency and got a price for a return air ticket, Sydney to Pittsburgh: $1750. Figuring I needed to win a lottery prize of at least $1500, I rushed back to the newsagency and checked in my ticket. My heart skipped a beat when "Congratulations" came up on the screen, followed by the figure $15. But no zeroes followed. Ah well. There was always the guy in Lagos offering me $14 zillion - I just had to reply to his spam mail. But, in reality, all I could really say was ...
When many of the aforementioned luminaries gathered in Milwaukee last month, I had that feeling that you get as a kid, when all your mates go off on some glorious camping trip and you're left at home recovering from the mumps. Miserable. Next weekend it's going to be much the same thing all over again, plus some ...
Image may be NSFW.
Clik here to view.
Image may be NSFW.
Clik here to view.
Some years ago I sent Herman as a Christmas gift a calendar I made up, with each month having a different Royal Bar-Lock typewriter poster on it. Herman got a bit of a chuckle out of that, because one of the posters had, unbeknown to me, been tidied up by Herman himself, playing around with Windows Paint. The thought of us each having "idle hands" (that is, hands away from typewriters) and doing the same thing, fiddling with typewriter-related images, so many miles apart, resonated with me, and in a funny sort of way closed the gap (though not to the extent that "being there" did). So this morning, as my thoughts drifted to far-off West Virginia, I played around with a couple of Bar-Lock posters myself.
I'm really looking forward to seeing plenty of images from the 2014 Fairmont event, and hoping that all those who attend this year will have as much of a ball as we did last year. I know that Herman will, as always, be the host with the most (and I don't mean just typewriters!). 
Image may be NSFW.
Clik here to view.
Image may be NSFW.
Clik here to view.

Last week Herman reminded all who were at the Chestnut Ridge gathering in 2013 of what a time we had, by posting this group photo on Facebook.
 I know he has gone "gently, gently" with this year's gathering, not wishing to divert attention from the preceding Milwaukee event, but anyone who has been to a West Virginia gathering will not forget it easily. Last year I thought of it as a "once-in-a-lifetime" experience. I now realise that having been there once, you just want to keep going back. Three solid days of prowling through Herman's typewriter collection is not enough the soothe that itch to take another look, and another, and another ...
The laid-back man himself.
And here's his virtual cake:

Prices of Portable Typewriters 50 Years Ago

This Macy's department store display advertisement appeared in The New York Timeson December 2, 1964, almost half a century ago now. The Commodore Educator is a Canadian, Jack Tramiel-assembled variation of the Czechoslovakian Consul 233. The Commodore 2000 beside it is, I'm pretty sure, a Portuguese Messa 2000, variously known as an ABC 2000, Sears Chevron and Stott 20. The case behind it is one good clue. The Olivetti-Underwood 18 is an Italian-made Antares clone. See the next edition of ETCetera for its unusual origins. (The reversed image here suggests the carriage lever is on the right side! Mad Men gone mad.) The Olivetti-Underwood 44 is better known as an Olivetti Studio 44 and the Royal 890 as a Royal Safari.
Commodore Educator, Alan Seaver Collection. Below, the Sears Chevron.
An Underwood 18
A Litton Royal 890:

The Triumph of Giger


Sensible Schools, Sunday Scones, Schreibmaschinen Mittelgroß & Sparks

This charming photograph was taken by Nina Leen at the Matthew Fontaine Maury Elementary School in Richmond, Virginia, on May 1, 1950. It was published in a US schools special edition of LIFE magazine on October 16, 1950 ("They Face a Crisis'). LIFE said this Maury was possibly the best public elementary school in the US at that time.
The young Maury students used typewriters to write their own stories, which they then illustrated and produced as books:
The image at the top of this post is exactly how I see Ray and Alice Nickson's now 15-month-old daughter Cynthia in about eight years' time. As I left the Nicksons yesterday afternoon, the livewire little Cynthia, a right charmer, was following me out the door carrying, unaided, a 1930s typewriter case - admittedly an empty one! Such an endearing sight, I wish I'd captured it, just as Nina Leen had done at the Maury in Richmond 64 years ago. Cynthia already owns her own burgundy Princess portable and seems destined for a life surrounded by typewriters. No bad thing.
There's not a doubt in the world that writing on typewriters can fuel the imagination in a way computers simply cannot match.  A chance suggestion from the Nicksons over afternoon tea was later in the evening to reinforce that view, in spades.
Yesterday was one of the lazy, hazy days of a promising summer ahead. First I received welcome word from my young journalist friend Michael Ruffles in Thailand that Nanchanok Wongsamuth's new feature article on typewriter repairman Suttiporn Chatviriyatam had appeared in the Bangkok Post Lifestyle magazine. The story starts with reference to an Olympia SM3 (though it's an Olympia Traveller de Luxe he's working with here):
Motivated by reading this charming piece, I completed my Giger Triumph. Then I went off to visit the Nicksons, to enjoy freshly home-baked scones with raspberry jam and clotted cream and view their fantastic collection of Depression Era typewriters. Their Remington 3B is still in the US and waiting to join these nine. Ray also just last week saved another Monarch Pioneer from a US keychopper.
After I left the Nicksons, I decided to drop in on the Down Memory Lane bric-a-brac shop on my way home. The owner, Chris Lund, brought out a lovely crinkle black US-made 1930s Royal portable which had been sold in Zurich, Switzerland. She couldn't get the platen to turn. In a few seconds I sorted out the problem. The rubber on the paper bail rollers had become stuck so solidly to the platen that the platen wouldn't budge - the first time I'd ever encountered such a thing. As soon as I had prized the paper bail off the platen, the Royal sprung back to life. Gee, I was SO tempted to buy it, but thought that to do so at a time when I am downsizing my typewriter collection with such vigor would be ridiculous. I texted the Nicksons instead and suggested they might like it. After which I took considerable pride in my new-found strength, by turning my back and walking away from such an appealing purchase. But it was hard, hard, hard!
During afternoon tea, the Nicksons had casually raised the subject of the movie Ruby Sparks, which I had vaguely heard of but never seen. The Nicksons recommended the movie as a charming romance, and not just because of the constant presence in it of an Olympia SM 9 portable typewriter, upon which the protagonist, suffering writer's block, conjures up his dream girl. (The script was written [on a typewriter?] by lead actress Zoe Kazan, another real charmer.) Having made a metal note to try and find the movie on DVD, I was almost spooked when I got home to find Ruby Sparks was screening on TV that very same night! So I sat up until the early hours and watched it, and was thoroughly charmed ...

It Was Time: A Giant Passes From Australia

Graeme Fletcher's photograph of Gough Whitlam with singer Little Pattie outside what is now called Old Parliament House in Canberra was taken on July 21, 1972. "It's Time" was the Australian Labor Party's slogan for the 1972 federal election.
Unlike many of my contemporaries, I have no recollection whatsoever of where I was when I was told President John F.Kennedy had been assassinated. I do know, however, precisely where I was when the word came through that Gough Whitlam had been elected Prime Minister of Australia. One reason might simply be, I suppose, that I have a natural inclination to prefer to retain memories of triumphs, and to try and forget disasters. Whitlam's election unquestionably brought great hope for a better future for Australia; Kennedy's death brought nothing but despair for all civilised nations.
Old Parliament House in Canberra, a political arena dominated by Gough Whitlam from December 1972 until his infamous "dismissal" on November 11, 1975.
Whitlam making his brilliant "Kerr's Cur" speech outside what is now Old Parliament House in Canberra on November 11, 1975.
In my mind, the erasure of one distant memory, and the still fresh presence, after 42 years, of another, reflects a differing response to a time of mourning and a time of rejoicing. There can be no doubt, as we have so often been reminded since the death yesterday of Gough Whitlam, at the age of 98, that his rise to power on December 2, 1972, was a time for celebrating the rebirth of this nation. As many commentators have said, there was an Australia before the prime ministership of Whitlam, and another, much better Australia after Whitlam had led Labor back to Government, following an absence of 23 years. One striking line has it that Whitlam was an "Orpheus in a Bogan Underworld". And the 6ft 5in tall Whitlam was truly a giant among statesmen, bestriding a land of political Lilliputians. It was if, with his election, the lights went on across the country. 
Gamboa in the Panama Canal
I didn't, admittedly, live in this country at that time, to see first-hand the lights go on, but the glow from a happier, more free and enlightened Australia still reached me, wherever I was. It's difficult now to adequately express just how forlorn it felt like to live in politically darkened and dank Australia and New Zealand in the late 1960s and early 70s, such physically beautiful countries being run by such short-sighted reactionaries, going nowhere as nations. Put simply, it was demoralising. Nineteen seventy-one was an annus horribilus on both sides of the Tasman, it felt awful to be here, to a part of it. By contrast, 1972 was to turn out to be an annus mirabilus.
When I heard of Whitlam's election victory, it was a bright Sunday morning and we were sailing past the old Canal Zone township of Gamboa in Panama. We had picked up the news on the ship's short-wave radio. The day remains so memorable because there was such a joyous celebration among all on board. All the crew were young, all escapees from what had been, with heavy lashings of satire, labelled the "Lucky Country" and "God's Own".
The late, great Norman Kirk meeting British Labour Party Prime Minister  Harold Wilson in 1971.
A week earlier, as we crossed the Pacific northward from Tahiti, another Labour leader, Norman Kirk, had been elected Prime Minister of New Zealand. Having just left the pristine harbour of Papeete, the daydream that these sparkling waters would no longer be threatened by French nuclear weapons testing gave rise to an immense sense of delight.
Pristine Papeete
We had a month or so earlier sailed from the shores of Australia and New Zealand (in particular, Kirk's electorate of Lyttelton), thinking of both countries as political, social and cultural backwaters. Suddenly, it seemed to us that Australia and New Zealand had overnight become the most sensible, the most politically enriched nations in the whole wide world. 
The euphoria didn't last all that long. Kirk died in office on August 31, 1974, and Whitlam was controversially dismissed a little more than 14 months later. But much had already been achieved, and things were never to be the same again. We were out of Vietnam, and South Africa's apartheid policy was no longer so readily tolerated. New Zealand finally took a firm stand against the French nuclear weapons testing in the Pacific. In Australia, China was recognised, university fees abolished, and universal health care, blame-free divorce, legal aid and a new national anthem were introduced, and the long road toward recognising Aboriginal land rights embarked upon. 
Australia and New Zealand came of age in late 1972. Yes, it was a time to party, to celebrate having the keys to the doors of enlightenment, even in the middle of the Panama Canal.
Before we'd reach Panama City, to tangle with overly zealous zone guards and Omar Torrijos' flamboyantly-dressed, heavily-armed cops on white Harley Davidsons, I'd sat down at my Olivetti Lettera 32 and pounded out letters of congratulation to friends and family back home. I didn't care which way they'd voted, they had been party to history-making events in their nations.
Ten years ago I got finally the chance to meet Gough Whitlam, at the National Museum. I have never interviewed so impressive an individual. I was in total awe of him, as were all around me. Yes, a true giant has passed from us.   

RIP Ben Bradlee (1921-2014)

"You never monkey with the truth."
- Ben Bradlee
Benjamin Crowninshield "Ben" Bradlee (born Boston, Massachusetts, August 26, 1921) died today of natural causes at his home in Washington DC, aged 93. Bradlee was executive editor of The Washington Post from 1968 to 1991. He became a national figure during the presidency of Richard Nixon, when he challenged the Federal Government over the right to publish the Pentagon Papers and oversaw the publication of Bob Woodward's and Carl Bernstein's stories documenting the Watergate scandal. At his death he held the title of vice-president at-large. Bradlee was also an advocate for education and the study of history, including working for years as an active trustee on the boards of several major educational, historical and archaeological research institutions.

Maurice Maeterlinck and his Typewriters

"Maeterlinck does not 'speak' his productions before putting pen to paper, to try the anticipated effect; they bud and burgeon silently within him, like a fruit ripening to maturity before it may be plucked; the words are there, the sentences flow freely, and are written out almost without erasure, directly he sits down at a table to transcribe the work of the brain ready for the typewriter ..."
LIFE, March 31, 1941
Evening Post, Wellington, New Zealand, August 1924
Maurice Polydore Marie Bernard Maeterlinck was born in Ghent, Belgium, on August 29, 1862, and died in Nice, France, on May 6, 1949, aged 86. A playwright, poet and essayist, he was a Fleming but wrote in French. Maeterlinck won the Nobel Prize in Literature in 1911 "in appreciation of his many-sided literary activities, and especially of his dramatic works, which are distinguished by a wealth of imagination and by a poetic fancy, which reveals, sometimes in the guise of a fairy tale, a deep inspiration, while in a mysterious way they appeal to the readers' own feelings and stimulate their imaginations". The main themes in his work are death and the meaning of life. His plays form an important part of the Symbolist movement.
In 1920, Hollywood mogul Sam Goldwyn lured Maeterlinck to the US and when Maeterlinck finally submitted two scripts, Goldwyn was horrified to discover the hero of one of them was a bee. After reading the first few pages, Goldwyn burst out of his office, exclaiming: "My God! The hero is a bee!" But Goldwyn reassured Maeterlinck, "Don't worry, Maurice, you'll make good yet."
A typewritten note Ernest Hemingway addressed to the late Maeterlinck in 1952:

YUM! Sweet As: Typewriter Jelly Lollies

Make your own typewriter jelly lolliesThese are easy to make, provided you have the moulds. The only ingredients are jelly crystals, gelatine and water. I have also made these as chocolates, but I found the chocolate ones a bit hard on the teeth. These are not too sweet, or sugar-coated like store-bought lollies, and are a nice chewy texture. I used orange, mango orange, mango, creaming soda, lime, raspberry, blackberry and berry blue flavours.

Unchaining Young Minds: The Royal Portable Typewriter 1940-49

Starting in September 1940 and extending to either side of America's involvement in World War II, Royal promoted its portable typewriters with a sustained advertising campaign aimed at young students. The ad lines began with "Why should eager minds be chained?" and ran to "Can a typewriter help your child to think?" and "Why you should start young fingers thinking early".
Royal even claimed to quantify the degree to which one of its portables could improve student performance (17 per cent more work, 40 per cent fewer spelling mistakes, 32 per cent fewer English mistakes). 
September 2, 1940
October 28, 1940
December 9, 1940
January 6, 1941
March 3, 1941
March 4, 1946
April 29, 1946
June 3, 1946
June 17, 1946
September 9, 1946
October 28, 1946
September 22, 1947
April 18, 1949

THE Wedding Typewriter


London Calling

Piotr Trumpiel's timing is, as always, impeccable. On a morning when my five-year battle with fatigue, pain and nausea finally got a name, a most welcome cheer-up parcel arrived from London. In it were two typewriter-themed T-shirts (the weather is really warming up here right now), two typewriter ribbon tins (with ribbon in both of them) and, best of all, a charming typewritten letter from PT (the prince of typospherians) himself. Thank you, Piotr.
London calling to the faraway towns
Now insurgency is declared and battle come down
London calling to the typewriter herds
Come out of the cupboard, you Kolibri birds
 
London calling, now don't look to us
Phony technology has bitten the dust
London calling, see we ain't got no swing
'Cept for the reign of that typebar thing
 
Now get this, London calling, yes, I was there, too
And you know what they said? Well, some of it was true
London calling at the top of the dial
And after all this, won't you give me a smile?
London Calling.
- with apologies to The Clash

Black, Blue & Noiseless in Chicago

A Remington Noiseless Portable typewriter, just like the one New Zealand journalist Terry McLean used for much of his sports writing career.
I'd given my one-time boss Sir Terence Power McLean a few lifts over more than 10 years, and had always got him safely to where he was going, no matter what part of the world we were in. On this day in 1978, however, I left him ashen-faced after a wild ride from Shannon Airport outside Limerick in Ireland to a football ground called Dooradoyle. I was behind the wheel of a works Volvo, set up for rallying, but that's another story. McLean was just got off a flight from London and needed to catch the Munster team training for what would be one of the most famous rugby matches ever played. But that's another story, too. Suffice to say they made a stage play out of it (Alone it Stands).
"Cripes," said McLean when we screeched to a halt at Dooradoyle. "That's the hairiest drive I've had since San Francisco, 1954."
On St Patrick's Day 1954 McLean was with the New Zealand All Blacks rugby union team which flew from Vancouver to San Francisco, was whisked through customs (players smuggling in 10 tins of Canadian salmon each) and given a fast San Francisco Police Department motor-cycle escort the 25 miles to the California Memorial Stadium at Berkeley. There, 8000 people were waiting eagerly to watch the All Blacks play the University of California "ruggers" that very afternoon.
My old friend Doug Wilson playing for the All Blacks at Berkeley in 1954. Another good friend, Max Howell, is the US player behind him.
Below, the University of California team which played the All Blacks
McLean dragged his Remington Noiseless Portable typewriter into the home of the California Golden Bears and covered the match for the New Zealand Press Association. In almost 70 years of writing about rugby across the globe (producing an astonishing 32 books in the process!), McLean saw many astonishing things, of which the match in Limerick in 1978 was one.
The match in Berkeley in 1954 was another ... it produced something exceedingly unusual in the 140-year history of US rugby union.
This coming Saturday the All Blacks will play the United States Eagles in a rugby union Test match at Soldier Field in Chicago. The match is a sellout, guaranteeing a crowd of 61,500, more than three times larger than any crowd that has ever previously watched a rugby Test in the US.
All Blacks in another Windy City. Victor Vito, left, and Jerome Kaino. Kaino is pointing out the Oliver Typewriter Company building.
This will be the 19th time in 108 years that the All Blacks have played US opposition on US soil. They have won all previous 18 matches, and in doing so have scored 784 points against 37 by US teams (average, 44 to 2). The closest they have come to defeat was that day at Berkeley, March 17, 1954, when a late try edged them ahead 14-6. Star of the University of California team was Max Howell, a former Australian Wallaby and noted historian.
Three of the University of California's points came from one of only two touchdowns that have ever been scored against the All Blacks by US opposition.
The try was scored by Matthew Emery Hazeltine (1933-1987), far better known as an American football player than a "rugger". Hazeltine was a linebacker who played 15 seasons in the National Football League with the San Francisco 49ers and New York Giants. He was elected to the College Football Hall of Fame in 1989.
Now here's where the story gets spooky. The only other touchdown scored against the All Blacks by US opposition was also by the University of California at Berkeley, on October 25, 1913 - in a match in which Matt Hazeltine's father played (at five-eighth). And Matt Hazeltine's father, above, also Matthew Hazeltine (1893-1979), was also a champion in both rugby union and American football. In fact, Hazeltine senior was in the US team which won the rugby union gold medal at the 1920 Antwerp Olympic Games (the US successfully defended the title four years later in Paris).
 Hazeltine senior, seated second from left in middle row, with the US team which won the Olympic Games gold medal for rugby union in Antwerp in 1920. He is far left in the photo below:
The try scored in 1913 came from Charles Jackson "Jack" Abrams (1890-). In 16 matches on that North American tour in 1913, the All Blacks scored 610 points to just six (average 38 to just 0.375).
While Saturday's Test in Chicago is a sellout, efforts to get US media interested in the match have largely been in vain. One US journalist tried to drum up enthusiasm by comparing the All Blacks' history of consistent success to the New York Yankees. The Yankees, 1901 to the present day, have achieved a meagre 56.7 per cent success rate. The All Blacks, in all matches 1884 to the present day, have had a success rate of 85.8 per cent - 78.1 per cent in all Test matches alone!  So who really are the most successful team in world sport?
For the record - New Zealand v US rugby union Test matches:
1913 NZ won 51-3 at Berkeley.
The All Blacks perform their haka at Berkeley in 1913. Play in the Test match below:
1980 NZ won 54-6 in San Diego
 Not many at one end of the field at the Charger's ground in San Diego in 1980. There'll be a few more in Chicago on Saturday. Below, at least one stand in San Diego was full. The All Blacks are seen here playing under American football goalposts.
1981 NZ won 46-6 in World Cup match, Gloucester, England.
Below, the American Universities, All Blacks, New Zealand Maori and Australian teams which took part in a mini-World Cup in Sydney in 1910:

QWERTY Award

Shouts of "Hooray"did echo through the once hallowed and now empty halls of the Australian Typewriter Museum. That aside, I felt, in equal measure, thrilled, honoured and humbled to receive word from the US on the weekend that I was one of two people to have QWERTY Awards bestowed upon us at the typewriter collectors' gathering at Herman Price's Chestnut Ridge Typewriter Museum in Fairmont, West Virginia. The other 2014 winner is long-standing Typewriter Exchange editor and publisher Michael A.Brown, of Philadelphia. My heartiest congratulations to Mike.
Mike Brown
Unfortunately, neither Mike nor myself were able to be in West Virginia for the gathering  this year. The awards were presented by Peter Weil and Martin Rice, with Herman Price receiving them on our behalf. Previous winners have been Richard Polt in 2012 and Peter Weil last year:
Richard Polt receives the 2012 QWERTY Award from Peter Weil
Peter Weil with the 2013 QWERTY Award
My half of the now traditional QWERTY Award cake was "Devil's food", but happily Herman put a wallaby on it, not a Tasmanian Devil. Still, he dressed up as my long-time mate "Beelzebub", to receive the award on my behalf from Peter Weil. Devil take the hindmost? As Peter remarked, "Go to Hell, Bub!"
It would have taken a devil of a job for me to get back to West Virginia, to receive the award in person. If I had made it there, I would doubtless have stayed on in the US for another once-in-a-lifetime experience, to watch the All Blacks play in Chicago next weekend, thus missing my son's wedding here in Canberra on Saturday. So perhaps it's just as well I didn't go!
Nonetheless, my friends and family in Canberra took great pity on me as I pined for Chestnut Ridge, and went to extraordinary lengths to soften the blow of not being able to receive the award in person. So much so, they set about recreating as best possible the atmosphere of a Herman gathering, right here in Australia. The event was hosted by Peter and Deborah Crossing. Peter declared "We can't let this go by without a celebration" and made the "Herman-style" speech, as John Denver's Country Roads and Joni Mitchell's Morning Morgantown played in the background. Those who attended included fellow Canberra typewriter collectors Ray Nickson and Jasper Lindell, plus other close friends John and Marita Stephens, Bruce and Barbara Coe, Elizabeth Wetherell, Anne Messenger and John O'Dea, Danny Messenger and Mark Uhlmann. They lavished some wonderful gifts upon me, which extended to a "traditional" QWERTY Award cake:
 This well-crafted medal and framed Blick photo were given to me by John Stephens and his wife Marita. John is no keychopper - he'd found some spare parts Nakajimas lying around to make the medal. They were put to use in, for once, a good cause!
 A "masters" jacket. My friends know I like to wear my love of typewriters on my sleeve!
The awards even made it to the "In Brief" column in Monday's The Canberra Times:
Ah well, these things do happen only once in a lifetime, so I figured I might as well enjoy it to the hilt, where and while I could.

From Punching Royal Typewriter Keys to Pounding Punchbags: Battlin' Barbara Buttrick, the Boxing Typist

Not the Million Dollar Baby ... tickets to her world title fight in San Antonio in 1957 sold for $1.50!Image may be NSFW.
Clik here to view.
Barbara Buttrick was known as "The Mighty Atom of the Ring". She stands 4ft 11in tall and usually fought at around 98 pounds. Apart from her astonishing and pioneering boxing career, Barbara was also a Mighty Atom when it came to punching the keys on a Royal standard typewriter.
Barbara was born in Cottingham in Yorkshire in March 1930. She made her ring debut in Tommy Wood's booth at the fairground at Epsom on June 5, 1949. Later that year she travelled in the West Country with Sam McKeowen's show, issuing challenges to any girl in the crowd and giving three-round exhibitions.
In 1950 Barbara toured with Professor Boscoe's Boxing and Wresting Show in Yorkshire. She moved to London, worked by day as a typist and trained in a Mayfair gymnasium each evening.
These dainty hands broke many noses, including that of Barbara's trainer-husband Len Smith.
She married her trainer Len Smith at Holderness, Yorkshire, in 1952 and later that year the pair went to the US. In 1954, Barbara started fighting competitive bouts and on September 9 that year was one of the first two female boxers to appear in a fight broadcast on national radio. It was an eight-round bout against JoAnn Verhaegen, of Indianapolis, in Calgary, Alberta, and resulted in Barbara's only loss in 31 professional bouts (12 wins by knock-out). (She also had 50 professional wrestling bouts.). 
Boxing's "Beauty Queen" Phyliss Kruger
Barbara also fought a draw with Phyliss Kugler. In 1957 she moved to Dallas, Texas, where she and Kugler gained the state’s first boxing licenses for women. On October 8 that year a six-round world bantamweight title bout was held at the Municipal Auditorium in San Antonio. Barbara won a unanimous decision, making her the first women’s world boxing champion.
In 1988 she was the first woman president of a men’s veteran boxers' association and in 1990 she was elected to the International Boxing and Wrestling Hall of Fame. In 1993 Barbara founded and became the president of the Women's International Boxing Federation. She now lives in Miami Beach, Florida, where, after raising two daughters, she worked for many years as a bookkeeper for an engraving company. On April 14 this year, aged 84, she was elected to the initial class of the International Women’s Boxing Hall of Fame in Portland, Oregon. She was inducted on July 10 at the Hyatt Regency Pier Sixty-Six Hotel in Fort Lauderdale, Florida.
 Below, Barbara has a cast made of her right first
There were once hopes of bringing Barbara to Australia to fight:
The above excerpt from:

Typewriter Update

Karli and Michela
These are two of the more unusual items coming up for sale in the latest round of Auction Team Breker typewriter offerings in Cologne. The auction is scheduled for November 14-15. Go to www.breker.com for more details.
The bottom two items here are "whistling" typewriter billboards. To give an idea of prices, the euro today is fetching around $1.25 US and $1.43 Australian dollars.
It had to happen ...
It's the first time in my memory of Breker typewriter-spotting that IBM-style electric machines have been included in one of Uwe's auctions. Is it a sign of the times already?:
This is the more usual fare:
A typewritten farewell
A now rare typewritten valedictory speech will be delivered in the New South Wales Parliament in Sydney on the morning of November 12. It will be given by retiring politician Richard Amery, one of Australia's longest-standing typewriter collectors, and will be broadcast on the NSW Parliament's web page, which has a webcast facility. "I will be speaking from notes typed on a typewriter, of course!" Richard announced. Richard is retiring after almost 32 years in the house.
Know exactly how it feels ...
From the Auckland Star, New Zealand, 1903:
You're better off sending it to, if you can find such a thing:
Typewriters Galore
On the subject of typewriter-spotting, the new BBC America miniseries Fleming: The Man Who Would Be Bond, about the early career of James Bond creator Ian Fleming, is offering hundreds of opportunities. I caught the first two episodes last night. I didn't correctly spot all the typewriters on offer (most seem to be Imperial standards, naturally enough), but I did see that at least one oddball flatline portable had managed to make its way into the filming.
The most amusing choice by the producers, however, is the East German Optima Elite 2 portable seen being used by actor Dominic Cooper (playing Fleming) in Fleming's later life, in Jamaica, around the time of the making of Dr No. Fleming, of course, used a Triumph at that time. Well, I suppose the shape is approximately the same!:
As might be expected, Cooper-Fleming is most often seen with a Royal portable, though not a gold-plated one (at least not so far in the series):
I'm guessing Royal Navy Second Officer Monday became Miss Moneypenny:
Typewriters aside, this is shaping as a most entertaining series. The idea that "No Sex, Please, We're British" appears to have been cast deeply asunder.
Imperial Doppelgänger
Mention of Imperial standards brings me to this £300 offering in Nottinghamshire, England (home of the British Bar-Lock, Bar-Let and Byron). I was alerted to the Gumtree listing by my Normandy friend, the former Fleet Street journalist Christopher Long (who somehow, oddly enough, puts me in mind of Ian Fleming! Perhaps there's a Bond novel in him?). The listing points to my post on the designer, Claude Wellington Robert Brumhill. I wonder if it ever extended to three machines?
Typewriter Shines Again
One movie typewriter which has become increasingly familiar over the years is the one used by Jack Nicholson in Stanley Kubrick's The Shining. A Kubrick exhibition opened at the TIFF Bell Lightbox in Toronto on the weekend, displaying props, costumes and photographs of the director's most memorable movies. The Adler standard seen above is among the items featured.
In praise of the typewriter
Richard Polt very kindly forwarded me this scan of the lovely Thomas Walton column which appeared in the Toledo Blade last month. I don't recall the newspaper newsroom switch to "modern technology" quite as vividly as Thomas does, but I do recall that I resisted it as long as I could.
See also Cory Blair's fantastic piece, "My Torturous Week of Typing Only On a Typewriter" in the American Journalism Review:
Easter Island typewriters
Another TV program I caught last week was an absolutely fascinating story of Easter Island, "Mysteries of a Lost World".  Having often expounded at typewriter presentations on the virtues of the Blickensderfer 5 - most especially when it comes to a situation in which one is stuck in a place as extremely isolated as this - I began thinking about typewriters on Easter and researching the subject. Amusingly, one of the first images I came across was this one, illustrating that typebars can look like moai, the stone statues created by the Rapa Nui people:
"Mysteries of a Lost World" didn't expound on the virtues of the Blick, but it did heap praise on an Englishwoman, Katherine Routledge (1866–1935), an amateur anthropologist who visited Easter in 1914. And I did discover that while writing the results of her groundbreaking survey there, Routledge ran out of typewriter ribbon ink - something that might never have happened had she been using a Blick. 
The TV program also praised research work carried out at Easter by Thor Heyerdahl's team in 1955-56. This team included the American anthropologist William Mulloy (1917–1978), seen above using a Smith-Corona portable on Easter.
Furrked
A few images have been appearing of cats at typewriters (including this lovely one from Ted Munk):
A friend of a friend has come up with a new word she is offering to the Oxford English Dictionary. It is "furrked": Furrked: (ferkt, adj.) - The state of being covered in cat fur, invoking a sense of frustration; as “This couch is furrked, I have fur all over my trousers now, dammit”. Also v: "Puss has furrked me!" 
During all the excitement here this weekend, my "furrking cat", Charlie the Typewriter Guard Cat, gently slept. Which is probably just as well, since as the weather warms up, cats do tend to shed their winter coats:
What a Weekend!
I am steadily recovering from a fun-filled, action-packed weekend, highlighted by my son Danny's wonderful wedding on Saturday (more on that later). The fun continues this morning, when I expect another 50 typewriters to leave the house. Yesterday we celebrated the 60th birthday of John Stephens, a Canberran who has a fascination with things Art Deco and has accrued a small but impressive collection of Art Deco typewriters. The shindig was held at the Beyond Q Bookshop & Cafe in Curtin, which has a few uncared-for and dusty old typewriters stashed among its many shelves. Below, mutual close friend Peter Crossing bangs out a best wishes message to John on a suitably adorned Swissa Piccola portable:
Just briefly on THE wedding (which I shall return to shortly, in another post), it looked like we were in for some stormy weather, but while the wind picked up, the rain thankfully stayed away. Just in case of an emergency, Danny's gorgeous bride Emily Hansen tested out a Royal typewriter shower hat:
But it wasn't needed, because while dark clouds gathered, they didn't dampened this marvellous occasion:
While all this excitement was going on, over in Chicago the mighty New Zealand All Blacks rugby union team beat the United States 74-6 in the Test match played before a packed house (62,000) at Soldier Field (which means the record of only two touchdowns ever having been scored by Americans against the All Blacks, in 1913 and 1954, still stands):
The haka before the match:
And while this match was being played, in Kobe the Maori All Blacks beat Japan 61-21 - big day for NZ rugby! (In rugby league, the NZ Kiwis beat Samoa.)
In Hobart, meanwhile, talkative Fred the sulphur-crested cockatoo, received a congratulatory typewritten letter from the Queen for reaching 100 years of age. I kid you not!:
Typewriter-fuelled ambitions
During the fiercely contested 11th general elections in Botswana last month, Duma Boko, as leader of the Umbrella for Democratic Change Party, made considerable inroads in establishing a legitimate opposition to Ian Khama's ongoing control. Boko"emerged from a low-income neighbourhood of Mahalapye to become a poised presidential candidate". Boko's friends recalled him "growing up in a rural village, where toys, television sets and a family vehicle were a luxury that could engender envy among neighbours, owning such could catapult one to celebrity status. It was even a huge achievement if such a toy was a typewriter."
"In addition to being a sublime debater and brilliant student, Boko had a special possession that made him big among his peers – a typewriter, which made him the envy of his age-mates. [A friend said] 'It was our first time to see a typewriter and our ambition was just to touch it. A typewriter. [Boko] already had the proficiency to use it. I remember one of my friends who wanted to write a letter to his girlfriend came to beg Duma to type the letter. A typewriter, can you imagine? Man, he put a lot of terminology in that letter and the girl felt honoured ...'"
Miss Typewriter
Bum's Up!
Viewing all 1889 articles
Browse latest View live