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Who is Harry Yadav? And why is he Plagiarising all of my blog posts?

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While checking for the answer to Tony Mindling's mystery yesterday (Tony's Vision), I found that a criminal in India called Harry Yadav has, since November 2013, plagiarised at least 500 of my blog posts. 
And I don't mean stealing a sentence here or purloining a paragraph there. I mean every single word of at least 500 of my 1870 posts, each utterly unchanged, plus every single image. Yadav's text even includes every first-person singular nominative pronoun.
Each one of the plagiarised posts is online as "posted by Harry Yadav", without a single attribution to ozTypewriter. Bizarrely, Yadav's Google blogspot title is Phillip Hughes, the name of the Australian cricketer who died last November 27. 
There doesn't seem to be a thing I can do about it. I'm so disgusted by this scumbag I'm in a mood to take the entire ozTypewriter blog offline. I was beginning to lose interest in it, anyway, and this might just be the final straw.
The criminal Harry Yadav.
It will be interesting to see if he plagiarises this post too!

Australia's $10 million QWERTY keyboard

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It's coming up to eight years since Australia's Reserve Bank set out to create a "New Generation" of bank notes, with a plan to launch the more "youthful" and "energetic"-looking notes in 2010. Even by September 2012, however, the cost of this project had reached $9.3 million, and as of today there is still no definite date for the release of the Garry Emery-designed range of notes.
The original "new" design
Typewriter-related images have appeared on many stamps in the past, but this may be only the second time they have appeared on bank notes. Assassinated Filipino senator Benigno "Ninoy" Aquino's Smith-Corona Skyriter portable typewriter appeared on a Philippines 500 peso note in 2009. Apparently the typewriter has on its top Aquino's initials "BSAJ" (Benigno Simeon Aquino Junior):
Writers Mary Gilmore and Banjo Patterson will remain on either side of the new Australian $10 note, but Emery's "more vibrant and up-to-date" design for the "reverse" side will feature a QWERTY keyboard and a typewritten snippet from Gilmore's 1911 poignant poem about the great Henry Lawson, "Ghost Haunted Through the Street He Goes" (slightly revised 1952).
Many examples of Mary Gilmore'stypewriting can be seen here.
In a 1952 letter, Gilmore said the poem "derives from a sight of Lawson, hobbling in partial paralysis on a stick, going to the Bulletin office, where, because he was no longer on top of the wave, he was treated with rudeness and contempt, as a nuisance. (He told me this, bitter and sad)." 
Lawson on the original decimal currency Australian $10 note
Lawson's entry in the Australian Dictionary of Biography states that from 1907 he "became a frail, haunted and pathetic figure well known on the streets of Sydney; in his writing, images of ghostliness proliferated and increasingly a sense of insubstantiality blurred action and characters. Loyal friends arranged spells at Mallacoota, Victoria ... in 1910 and at Leeton in 1916. But his state of mind, physical condition and alcoholism continued to worsen. The Commonwealth Literary Fund granted him £1 a week pension from May 1920. He died of cerebral haemorrhage at Abbotsford on 2 September 1922."
Lawson was on the "reverse" side of the original 1966 Francis Greenway-designed $10 paper note (decimal currency was introduced that year). Gilmore and Patterson came on to the "tenner" (above) when polymer notes were introduced in 1993. On this, the reverse side illustration was inspired by Gilmore's stirring patriotic World War II poem "No Foe Shall Gather Our Harvest" and, as part of the copy-protection microprint, the text of the poem itself.
Banjo Patterson on the "obverse" side of the "New Generation" $10 note
The QWERTY keyboard on the Gilmore side of the new note represents Gilmore's L.C.Smith standard typewriter, which is in the National Museum of Australia in Canberra:
The Reserve Bank says the new release is aimed to ensure Australia maintains its "relatively low levels of counterfeiting". "Mindful of the increasing threat posed by counterfeiters – particularly to bank notes printed on polymer – the bank has for a number of years been undertaking research into new anti-counterfeiting technologies." There had been a spike in the number of counterfeit bank notes circulating in Australia. In 2012 there were 1.3 billion bank notes in circulation, worth a total of $61 billion. A parliamentary committee in Sydney was told that the number of counterfeit notes detected in 2011 was 18,000, up from about 8500 in 2007. The rate is relatively low by international standards, but the bank noticed more sophistication in the counterfeiting.
In its latest report, the bank says, "The typewritten verse of poet and journalist Dame Mary Gilmore (above) brings a haunting sense of authenticity to [the] design for the tenner."
Quite apart from the fear of counterfeiters, the bank's research showed Australians couldn’t identify the faces on their bank notes.
Patriot, feminist, social crusader and folklorist Dame Mary Gilmore was a prominent Australian poet and journalist. She was born Mary Jean Cameron on August 16, 1865, at Mary Vale, Woodhouselee, near Goulburn, north of Canberra. When she was one her parents moved to Wagga Wagga, where she started teaching at the end of 1885. She later taught at Silverton near the mining town of Broken Hill. There Gilmore developed her socialist views and began writing poetry. In 1890, she moved to Sydney, where she became part of the "Bulletin school" of radical writers. The greatest influence on her work was Lawson, to whom she was unofficially engaged.
Gilmore established a reputation as a fiery radical poet, a champion of the workers and the oppressed. She followed William Lane and other socialist idealists to Paraguay in 1896, where they had established a communal settlement called New Australia. There she married William Alexander Gilmore (1866-1945) in 1897. By 1900 the socialist experiment had clearly failed. Will left to work as a shearer in Argentina and Mary and her two-year-old son Billy (William Dysart Cameron Gilmore, 1898-1945) soon followed, living separately in Buenos Aires for about six months, and then the family moved to Patagonia until they saved enough for a return passage, via England (where they stayed with Lawson), in 1902 to Australia, where they took up farming near Casterton, Victoria.
Gilmore's first volume of poetry was published in 1910, and for the ensuing half-century she was regarded as one of Australia's most popular and widely read poets. In 1908 she became women's editor of The Worker, the newspaper of Australia's largest and most powerful trade union, the Australian Workers' Union. She was the union's first woman member. The Worker gave her a platform for her journalism, through which she campaigned for better working conditions for working women, for children's welfare and for a better deal for the indigenous Australians.
By 1931 Gilmore's views had become too radical for the AWU, but she soon found other outlets for her writing. More than 20 years later, she wrote a regular column for the Communist Party's newspaper Tribune, although she was never a party member herself. She also wrote numerous letters, as well as contributing articles and poems, to The Sydney Morning Herald on her many causes and such diverse subjects as the English language, the Prayer Book, earthquakes, Gaelic and the immigration laws, the waratah as a national emblem, the national anthem and Spanish Australia. She was a founder of the Lyceum Club, Sydney, a founder and vice-president in 1928 of the Fellowship of Australian Writers an early member of the New South Wales Institute of Journalists and life member of the Royal Society for the Prevention of Cruelty to Animals.
In spite of her somewhat controversial politics, Gilmore accepted appointment as a Dame Commander of the Order of the British Empire in 1937, becoming Dame Mary Gilmore. She was the first person to be granted this award for services to literature.
During World War II, perched in her Kings Cross flat at 99 Darlinghurst Road, she anathematised German and Japanese  ambitions of world domination. She recognised the growing threat to Australia in her stirring call to Australian patriotism, the poem "No Foe Shall Gather our Harvest", while she castigated Allied incompetence and corruption in the poem "Singapore", just after its fall. 
Gilmore died on December 3 (Eureka Day), 1962, aged 97, and was accorded the first state funeral accorded to a writer since the death of Lawson in 1922.

Italian Design at MoMA

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Found this 2008 publication in a second-hand bookshop today (MoMA is the Museum of Modern Art in Manhattan):
Also by Nizzoli:
Also by Sottsass:
Also by Bellini, who took over typewriter design from Sottsass:
Other choice designs:
 Cisitalia 202 GT car, 1946, by Pininfarina (Battista 'Pinin' Farina, 1893-1966)
There's even an Australian in this lot: Marc Newson (1963-), wood chair 1988

The Don's Royal Portable Typewriter

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Don Bradman at his "faithful" typewriter. He wasn't too faithful to it, however, and replaced it four years later, in 1934. No one knows where his first Royal portable is now.
With excitement mounting ahead of the one-day cricket World Cup, to be staged in Australia and New Zealand from February 14-March 29 (I'm tipping New Zealand to beat South Africa in the final), it's timely to reveal Sir Donald Bradman's first portable typewriter. The image above has not hitherto been available online.
The Don's first Royal portable was a Model P, which he acquired before his first tour to England with the Australian cricket team, in the northern summer of 1930. Bradman bought the typewriter from Sydney Pincombe Ltd at 46-48 Hunter Street, Sydney, with the aim of answering every single bit of the massive amounts of fan mail he received during the six months-long tour:
 The Don carries his typewriter to The Oval in London in 1930
Bradman receives fan mail telegrams in the middle of the pitch in 1938
Bradman's typewriter is interesting in that, perhaps anticipating Bradman would be photographed using it from a side angle, Sydney Pincombe had a large Royal decal placed on the side. The faux woodgrain brown paintwork is also quite pronounced, as in this earlier model Royal which belongs to Nick Beland:
There is also a fine example of a Model P with this paintwork here:
This is the only typewriterBradman was ever photographed using. In 1934, after he had moved to Adelaide in South Australia, he was given a later model Royal portable to use on his second tour to England with the Australian team. This Royal is now in the South Australian State Library:
Acquiring a second Royal followed the Australian Board of Control's refusal to allow Bradman to write for newspapers during the 1932–33 Ashes series against England. Only professional journalists were entitled to do so. Bradman was adamant he would honour his writing contract, even if it meant not playing. The editorial chief of Associated Newspapers, R.C. Packer, (grandfather of Kerry Packer) agreed to release him from the obligation.
Sir Donald George Bradman is, quite simply, thegreatest cricket batsman who ever lived. Usually referred to as "The Don", Bradman had a 20-year career Test batting average of 99.94 - often cited as the greatest achievement by any sportsman in any major sport. In his last Test innings, at The Oval in London in 1948, Bradman when into bat with an average of 101.39, but was bowled for a duck second ball. If he had scored just four runs, his average would have been 100.
On a goodwill tour by an Australian team to North America in 1932, The Don met The Babe, Babe Ruth:
It was a meeting of the two greatest hitters of the moving ball in world sports history. It happened in Ruth's private box at Yankee Stadium in New York on July 20, 1932. The Yankees were playing the Chicago White Sox and Ruth was injured. John Kieran wrote in The New York Times: "Babe Ruth once knocked 60 home runs in a season. What's that to Daring Don Bradman, the ring-tailed wallaby of the cricket crease? He scored 452 runs (not out) in an afternoon. He simply keeps hitting and running until some sensible person in the stands suggests a spot of tea."
On the same tour, Bradman (seated far right, second row from bottom) and other Australian players met the cast of The Mask of Fu Manchu, including cricketing Hollywood actors Boris Karloff  and Sir Charles Aubrey Smith (in front of Bradman; Smith once captained England in Test cricket). Myrna Loy is in the middle front row:
Bradman died, aged 92, on February 25, 2001. He continued to use a typewriter to reply to fan mail until well into the 1990s. 
Today, feelings about The Don and his playing, captaincy and administrative roles in Australian cricket are mixed, though he still has many supporters. My own dealings with him, starting in 1970, were always very cordial. Whatever else may be said about him, in person he was a most impressive man.
Here is a sample of The Don's typing, using his second Royal portable in 1938:
And from 1991:
The Baby Don
 When there was still a cultural cringe in Australia:
Mobbed after a world record Test innings in Leeds in 1930
With members of the England team in Queensland in 1928

Old Typewriters Amid New Technology

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Esteemed Canadian typewriter collector Martin Howard, seen here with a TYPO (the French version of the British Imperial Model A portable), is back home in Toronto after "a really great week" exhibiting a selection of 23 of his magnificent old machines at the 2015 Consumer Electronic Show in Las Vegas. Martin bought the TYPO on Italian eBay, took it apart and restored it for TYPO Products (see below). "How perfect is that!" he declared.

Martin's display was at the TYPO2 booth. The TYPO2 is an accessory that goes on to an iPhone and gives a tactile QWERTY keyboard for those who do not like the touch screen keyboard.  "So the product is all about the old- style keyboard," said Martin. "You can see why I was there with them."
"People were so pleased and excited to see the typewriters; it was certainly the last thing that they expected to come upon at the show. Many people spent a good half hour or longer in checking them out and chatting with me."
 Typewriters possibly hadn't been seen at CES since 1969:
Martin's precious machines arrived in crates for the display to be set up:

One of Us Had to Go!

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Long-time friend and workmate, and fellow former Canberra Times columnist, the pleasantly eccentric Mark Juddery died on Tuesday. He was aged just 43.
Stanford Mark Juddery was born in Canberra on March 9, 1971, the son and eldest child of another friend and colleague of mine, Stanford Bruce Juddery, the abrasive New Zealand-born political writer to whom US President Bill Clinton once replied, "I was briefed about you!" Most of us were warned in advance of encountering Bruce for the first time. Mark, happily, was a completely different kettle of fish.
Mark passed away two days short of the 12th anniversary of his father's death. Whereas Bruce's demise, shy of age 62, came much later than had been expected, given his many years of serious alcohol abuse, Mark's end followed an agonising year-long battle with cancer, which had spread to his lymph nodes, liver and lungs. To the best of my knowledge, Mark never touched the hard stuff, though he would have been easily forgiven for doing so in his dying days. His end was most grossly premature.
Mark instead had managed to retain his youthful handsomeness, which he had quite evidently inherited from his sweet-natured Philippines-born mother, Delia. "Youthful handsomeness", indeed, is the very term Mark might have used to describe the appearance of a reincarnated version of one of his most adored fictional characters, Doctor Who. At the drop of a hat, Mark could, and often did, recite a detailed synopsis of any Doctor Who story.
Mark also maintained his Peter Pan persona. Growing up in the home of the hard-drinking, fractious Bruce, Mark was old beyond his years. At 19, just out of Narrabundah College, his response was to seek inner peace and study medication under Sri Chinmoy. He ran three ultra-marathons. More importantly, perhaps, with these teachings he was celibate and shunned drugs, including alcohol.
Conversely, even as a well-developed journalist, Mark maintained an interest in child-like things - most notably a "geeky" passion for movie and TV fantasy and trivia, pop culture and comics. (A keenness for avidly reading science fiction and comics came, incidentally, from his dad). Mark could easily have had a role in The Big Bang Theory - or, academic achievement aside, been an exact role model.
Mark also retained an ability to write with a deftness and clarity way beyond his father's capacity - his last published piece, a lengthy but well-crafted obituary for Australian-born actor Rod Taylor ("The Hollywood star who never forgot he was an Aussie")  appeared in The Sydney Morning Herald the day Mark died.
Mark's intimate knowledge of the history of the movie industry was one of his strongest suits, and I am delighted to have been able to contribute to that deep well, through the donation of an extensive library on the subject. Mark also freely borrowed from my own often first-hand experiences and research in the areas of pop culture and popular music - though he had his own full collection of Velvet Underground albums (and learned to play the mandolin). In gratitude, perhaps, Mark once suggested in print that a Canberra street be named in my honour.
Our closest collaboration came when Mark published his book Busted! The 50 Most Overrated Things in History in 2008. He asked me to launch it, at Dalton's Bookshop on Marcus Clarke Street. In doing this, Mark's impish sense of humour and his delight in the ridiculous was very much in evidence. Among the 50 things he had cheekily included in his book was the typewriter (he also included Gallipoli, with perhaps greater cause). I can't now find my copy of the book or recall his reasons, but Mark knew full well how I would react. Indeed, most of what Mark wrote in his 18-year career in freelance journalism was expressly intended to elicit adverse reactions. He inherited that from his father as well. But in Mark's case his subtlety was often too much for his readers, and his selections were taken too seriously. 
Despite me most forcefully pointing out the serious error of his ways, Mark kept the typewriter (but removed Gallipoli) in his book when it was republished in the US in 2010 as OverRated: The 50 Most Overhyped Things in History - as the cover clearly indicates:
Described in part in his obituary as a humorist and a man of "biting wit" - regardless of him being a quite markedly serious person - Mark also contributed to The Australian, The Bulletin, The Spectator, the Huffington Post and Mad Magazine. He wrote comedy sketches for radio and television, and short comedy plays which he directed and performed worldwide.
When diagnosed with cancer, Mark responded with questions about the disease's "senselessness" and lack of "fairness". "In that way, it reminds me of everyone over the years who has hurt me, everyone who has threatened me, everyone who has tried to control me, everyone who has made me feel scared."
Jack Waterford's acerbic 2003 obituary for Bruce Juddery was notable enough to be included in Nigel Starck's book Life After Death: The Art of the Obituary. It was about an "unsocialised" and infuriating man a mother couldn't love, yet one who was a loving, caring father. In the main it was about Bruce's rudeness and "tragedy and waste". But it ended with the reasonable claim that many who had led exemplary lives would be satisfied with half of Bruce's achievements. In Mark's case, he did led an exemplary life, and his achievements more than matched those of his father. They will most certainly be remembered for a long time to come.
Vale, Mark. Membership of our Mutual Admiration Society has just been halved. You will be missed. 

Joy Division Typewriter

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A documentary about the doomed British rock band Joy Division, shown on SBS TV in Australia earlier this month, resurrected a 12-minute Super 8 film made by Charles E. Salem in 1979 and synchronised with Joy Division's album Unknown Pleasures.
Peter Saville designed the cover of Unknown Pleasures from an image of radio waves from pulsar CP 1919, from The Cambridge Encyclopaedia of Astronomy
The film features a portable typewriter (I think it's a Brother) being used by teenager Liz Naylor to describe desolate scenes in the then run-down city of Manchester in England. It was incorporated into Factory Flick, a Joy Division video which, until the documentary was made in 2007, went unseen for 27 years. 
The short film, No City Fun, was based on an article by Naylor which had appeared in Manchester's City Fun fanzine. At the time Salem was just 20 and Naylor 15. Naylor went on to become co-editor (with Cath Carroll) of City Fun, a post-punk music promoter, music journalist and manager of Ludus.
Naylor moved to London in the mid-1980s and continued to work in the music industry as a publicist for (among others) Sonic Youth, Sugarcubes, Big Black, Kitchens of Distinction and The Butthole Surfers. Eventually she formed her own record label, Catcall - releasing records by Bikini Kill, Huggy Bear and Sister George. In the 1990s she worked as a club DJ and promoter. Having been expelled from school for some punk rock-inspired infraction, she returned to education and studied at Queen Mary University. Naylor now works in the social care field in London.

Joy Division, formed in early 1978, took its name from the prostitution wing of a Nazi concentration camp described in the 1955 novel House of Dollsby Ka-Tsetnik 135633. This was Yehiel De-Nur (1909-2001), born Yehiel Feiner in Poland. A Jewish writer and Holocaust survivor, De-Nur's books were inspired by his two years as a prisoner in the Auschwitz concentration camp. His work, written in Hebrew, tended to "blur the line between fantasy and actual events" and consisted of "often lurid novel-memoirs, works that shock the reader with grotesque scenes of torture, perverse sexuality, and cannibalism".
Yehiel De-Nur (Ka-Tsetnik 135633), right, in 1986
Joy Division in 1979: From left, Stephen Morris, Ian Curtis, Bernard Sumner and Peter Hook.
Joy Division came from Salford, a "dirty old town" renowned for its typewriter users, who included Shelagh Delaney, Alistair Cooke and Morrissey. Its public library also has a zine written on a Barbie toy typewriter:

Typewriter Update

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It's that time of year ...
... when the warm weather brings into the house all sorts of bugs and creepy crawly things, some of which seem to find typewriters as nice places to hide or hibernate. And not just in Borneo, but in climes further south, too. I once found a redback spider living happily in an Olympia SM9 case. Scary!
$21,900 pricetag on Sholes & Glidden
This Sholes & Glidden, serial number A1665 (presumably dating it to 1875?), has been listed for sale by First Dibs Second Chances in Newtown, Connecticut. It is listed on US eBay at a Buy it Now price of $US21,900 (which, with the Australian dollar fading away the way it is, is more than $A26,600). One offer has been declined but there are still plenty of watchers (including me). 
Typewriters in Turkish school
The Zografeion Lyceum in Istanbul celebrated its 121st anniversary last month and still appears to be using manual typewriters to teach its students typing. Or maybe this is an overseas branch of Ryan Adney's classes?
The Zografeion is one of the few remaining Greek schools still open in Istanbul. The school is in the Beyoğlu district, close to Taksim Square, considered the heart of the city. It is named after Paris-based Greek banker Christakis Zografos, its principal backer. Many famous artists, architects, politicians and theologians of the Greek diaspora have studied there, including Patriarch Bartholomew I of Constantinople. Today the school has 45 pupils and 20 teachers. It  applies the full Turkish curriculum in addition to Greek subjects such as Greek language, literature and religion.
Umm, I don't think so ...
That newspapers today know very little about typewriters was illustrated by the Telegraph in England last week when it used an image of this "machine" on top of Alan Titchmarsh's column "My friendly old typewriter has had its day".
This is a GSN Junior index toy typewriter, first produced in 1929 by Schmid Brothers, Stein-Nuremberg, Germany, and "invented" by Max Schmid. Titchmarsh was actually referring to "a small black case with a sloping lid and a handle. The box (for it is made of wood and covered in a black leatherette material) contains the first writing machine I bought as a student back in 1969. It is a strange piece of equipment known as a typewriter. You’ll see it demonstrated if you are a regular viewer of Poirot and Foyle’s War."
You most certainly won't see a GSN Junior demonstrated on any TV show.
Titchmarsh wrote that, "At first, I kept [my typewriter] as a precaution against power cuts (in Hampshire we endure them regularly in the winter), but since the introduction of laptops with long-lasting batteries that excuse no longer holds. Are typewriters still made? I’d go online to find out, but I have lost my Internet connection at the moment. Either way, the typewriter industry is probably not one into which investment analysts would advise you to plunge all your liquid assets. 
"I may be an old romantic, but I do not, in my heart of hearts, yearn for a return to those more primitive days - though the words Olivetti, Remington and Smith Corona do have a magical euphony. I abhor much of today’s modern technology: I am not on Facebook or, as a friend calls it, 'Faceache'. I leave tweeting to the birds. I deplore the habit of frequently checking a mobile phone and texting heaven knows who every 30 seconds. But I would not, for one moment, want to return to those days of carbon paper, correction fluid, filing cabinets, manila envelopes and postage stamps. Ah! My Internet connection is once more up and running, and I can see that typewriters are still available. I could buy a similar black and chrome one to the one in a box for £28.99. A bargain! But no, I’d never find the carbon paper. Just a moment, while I press the button…"
Meanwhile, concentrating more on real typewriters and "Keys to the Past", the Guardian in England is continuing to collect interesting typewriter stories and images (along with comments on same). 
See also The Wall Street Journal's "Five Practical Uses for a Vintage Manual Typewriter".
Ontario typewriter mechanic
CBC News in Canada ran this interesting item on Kitchener, Ontario, typewriter repairman Manfred Aulich. Manfred started in the trade in Berlin in 1966 and moved to Canada in 1970, where he continued to work for Olympia International. Now retired, Manfred says he is one of the last people in southern Ontario who can still repair typewriters, and regularly receives service requests from lawyers' offices and other small businesses that still use them. "It comes in handy for small stuff, like for envelopes, typing out quick notes, complicated forms," he said. "It's easy to put them in a typewriter and type it out very quickly without going into all kinds of programs." Manfred says younger clients find antique typewriters owned by their parents or relatives and want them to be restored.
Sturdy Oliver typewriters!
100 years ago today
Have typewriters, will travel ...
From the same issue:
Touch of a typewriter:
Intimate and tender
Oregon Daily Journal, 1915
Miss Typewriter, January 2015

Varityper's Century of Typesetting

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An early Hammond beside its big, fat great-great-great-great grandson, a Varityper Headliner 820
When AM (the former Addressograph-Multigraph Corporation) Varityper launched its last composition systems in 1980, it boasted of "a typesetting heritage than spans 100 years". In dating its history back to 1880, AM Varityper was referring to the Varityper's origins as a Hammond typewriter, which had made a gold medal-winning debut when the New Orleans World's Fair (aka the World's Industrial and Cotton Centennial Exposition) opened on December 16, 1884. As things turned out, AM Varityper didn't quite make the century mark.
While, aided by the advent of its Varityper computer-fronted phototypsetting systems, AM International earned $5.8 million on sales of $909.6 million in 1980, it suffered severe losses in the next two years. On April 14, 1982, the company filed for bankruptcy in the Northern District of Illinois under Chapter 11, which permits reorganisation under the bankruptcy laws of the United States. But after workers at its 50-year-old plant at 1200 Babbitt Road, Euclid, north of Cleveland, refused a $6 an hour wage reduction in August, AM International closed the plant in October.
AMI, which also included Multilith, had already sold Addressograph to DBS in November 1981 and its bankruptcy was confirmed in September 1984. But an offshot, Multigraphics, emerged from Chapter 11 in September 1993, only to be bought by A.B.Dick in 1999. In 1986 Datacard bought DBS for $52 million and the Addressograph name lived on as a part of NewBold.
Meanwhile, AM International sold the Varityper brand name to Tegra, which as Tegra-Varityper in April 1994 became part of a company called PrePress Solutions, when PrePress Solutions acquired the assets of Tegra, Varityper and PrePress Direct following bankruptcy. This outfit dropped the Varityper name and renamed its imagesetters Panther.
A PrePress Solutions Panther platesetter
If one thing might tenuously link the Hammond typewriter of 1884 to the last machine called a Varityper in 1994, at least in name, it would be the ease with which typefaces could be changed. In which case, the "heritage" might be extended even further back, to John Jonathan Pratt's Pterotype of 1864, since the rights to its key component, the single type element, were sold to Hammond.
 The last AM Varityper compositing-editing system
Note the modem under the telephone in the "telecommunications option". Also, 80K RAM!
According to a special Spring 2008 edition of the Museum of Printing News, covering non-metal typesetting, "The term 'Cold Type' was first applied to the three devices that used typewriters for typographic composition: the Varityper, the Justowriter and the IBM Composer. The Varityper was based on the Hammond typewriter, one of the first to have proportional type. Based in New Jersey, the company was taken over by Ralph Coxhead, who introduced a companion headline-setting machine with a plastic 'Gramaphone record' as its font. It was called the Coxheadliner and later just Headliner."
The Museum of Printing's claims are only partially true. Hammond, for most part based in New York, did not have a typewriter with proportional type - right-side justification came under Coxhead's post-1933 development of the manual Varityper.  As Richard Polt points out in his Classic Typewriter Page"Typewriter Spotlight" on the Varityper, "Right-margin justification was achieved by a mechanical system in which each line would have to be typed twice. It sounds tedious, but it was a clever solution to a challenging mechanical problem - although the results were not comparable to professional [Linotype] typesetting." (PS: A comment on Richard's Varityper spotlight page says it was the IBM Selectric Composer, not the PC, which spelt the end for the Varityper. "[It] allowed the copy to be typed once, versus Varityper's twice [and] the use of a magnetic tape cartridge allowed real editing.") 
The very young Robert White Wirtz (1913-1983)
More importantly, it was not Coxhead but leading US mathematics educator Robert White Wirtz who invented the system from which the Varityper Headliner eventually emerged. All subsequent Varityper patents for the photocomposing machine acknowledged Wirtz's 1955 design for the so-called "Gramophone record", the phototypographical matrix. Ralph Cramer Coxhead died on February 7, 1951, long before the matrix was fully developed:
Wirtz, the younger brother of US Secretary of Labor William Willard Wirtz, told the Daily Illini in October 1962 that he had been the director of research and engineering for the Varityper division of the Addressograph-Multigraph Corporation.
Charles Winfred Norton's "typing and justifying"Varityper
But his work on the Headliner started long before that.
Between 1944-46, Charles Winfred Norton (1889-), working for Coxhead in West Orange, New Jersey, had applied "justifying lines" to the Varityper, enabling it to complete its transition from an out-and-out typewriter in 1926 to a genuine typesetting machine by 1947, when it was used to set body matter for the Chicago Daily Tribune.
Independently of this, from 1950 Wirtz was working on his photocomposing machine in Peoria, Illinois.
It's interesting to note that while it was a mathematician, Donald Ervin Knuth (1938-)  who was a pioneer in the field of digital typesetting - the process which ended the short life of photocomposing - it was a mathematics educator, Wirtz, who led the way in photocomposing.
Wirtz's original photocomposing concept
At an early stage of his work in the field, Wirtz signalled his plan to incorporate the Varityper typewriter in his system:
All this while Wirtz had been assigning his patents to a "co-partnership" called the Wirtz Company, variously based in Peoria, Illinois, in the early 1950s, Plainfield, New Jersey, in the mid-50s and finally, in the early 1960s, Watchung, New Jersey. By the late 50s he had caught the attention of the Addressograph-Multigraph Corporation and was recruited to continue his work on behalf of its Varityper division.
Addressograph-Multigraph had taken over Varityper by the middle of 1958, two to three years earlier than stated elsewhere on the Internet.
Wirtz, born the son of a high school principal in Canton, Illinois, on August 20, 1913, was raised in DeKalb, graduated from Northern Illinois University in DeKalb and went on to study at Northwestern University in Evanston and the University of Chicago, gaining degrees in science and education.
He then taught at Evanston before joining Varityper. His first foray into designing had been in 1948 with, of all things, a shoe toe creaser!
In 1962 Wirtz returned to academia and joined the mathematics team funded by the National Science Foundation at the University of Illinois at Urbana-Champaign. He said that with Sputnik, mathematicians had become "much in demand" after years of being "locked away in their ivory towers". Wirtz, who developed the Tens Frame for maths teaching in 1980, wrote nine books on maths teaching, including Mathematics for Everyone (1974).
Wirtz's brother, W. Willard Wirtz (above, 1912-2010) also attended Northern Illinois University and graduated from Harvard Law School in 1937. He was immediately appointed to the faculty of the University of Iowa College of Law. He was a professor of law at Northwestern University from 1939-42 and served with the War Labor Board from 1943-45, and was chairman of the National Wage Stabilization Board in 1946. Wirtz returned to teach law at Northwestern until 1954. He was active in Democratic politics and wrote speeches for Adlai Stevenson during his 1952 presidential campaign. Wirtz was appointed Under-Secretary of Labor in 1961As the Secretary of Labor between 1962-69 under the administrations of Presidents John F. Kennedy and Lyndon B. Johnson, Wirtz supported collective bargaining and championed department programs aimed at the young, under-educated, long-term unemployed and older workers. In conjunction with the Civil Rights Act of 1964, he implemented anti-discrimination responsibilities for the department.  At the time of his death he was the oldest living former cabinet member and the last surviving member of the Kennedy administration cabinet.
After Coxhead's death in 1951, his corporation lived on until its takeover by AM in 1958.  In 1955, Bently Pratt Raak's redeveloped Varityper emerged; it was a considerable change from the Norton-designed machine.
A very young Bently Raak
Coxhead had bought type designer Frederic William Goudy's estate in 1948 and Raak (1904-78), who had worked for Coxhead since 1937, had had a close working relationship with Goudy. In the mid-50s Raak, a professor of typographical design at Syracuse University's School of Journalism, also worked with Edward Harris Billet on a elaborate automatic camera apparatus for Varityper, a photocomposing machine which would be superseded by Wirtz's Headliner.
But it was Raak's 1962 design - just after Wirtz had left Varityper - that would be (almost) the last word on the Varityper Headliner:
Between 1950-62, Wirtz took out 12 patents related to the Headliner. These were for proportional spacing and justifying mechanisms, photocomposing machines, code bar control for type indexing, card handling, mechanical and electrical indexing and direct image composing. Some of these were referenced by Kroy Industries of St Paul, Minneapolis, for its own typesetting machine (one of which, below, is owned by Typospherian Ted Munk).
 Kroy Industries patent drawing. Compare this with an early Wirtz design:
Wirtz died in Camel, California, on September 23, 1983, a month after his 70th birthday.
Wirtz's Varityper Headliner made camera-ready masters for offset printing, created by casting photographic type on 35mm white photo print paper, which was then automatically fed through an integral tank with photo printing chemicals (and sometimes became jammed there!). The Headliner was an adjunct to the AM Varityper itself, technically regarded as a strike-on composing machine. The Varityper used once-only carbon ribbon, and when typed on special super white paper gave a very sharp image. Its type sizes ranged from six-point to 12-point, hence the need for the Headliner, which set headlines in 12 to 90 point. Page compositions, including illustrations, were transferred photographically to Multilith masters and reproduced on Multilith Offset duplicators. 
From 1966 Varityper "pursued aggressively a wide range of direct impression typography and phototypesetting products to serve better the needs for type composition". This line lasted until 1978, when Varityper stopped making the typewriter-like direct impression (strike-on composing) machines. At that point AM's transition to microprocessor-based phototypesetting technology was complete. By 1985 AMI's Varityper division was supplying "computer-based phototypesetters, terminals and composition systems."
Among the more interesting applications for the Varityper Headliner were (in a smaller version) for blueprint lettering, as well as the model 820 by the Isolated Children's Special Education Unit in Australia, and by record companies such as Columbia for vinyl record labels.
Comparing the size of the Varityper Headliner
A close look at the Varityper Headliner
The smaller model was used for blueprint lettering.
The paper strip is in the red drum

Why Carole Lombard Can Pop Up At My Typewriter Anytime

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The famous 'Howard the Typewriter' scene from True Confession (1937), involving Carole Lombard as cheerfully compulsive liar Helen Bartlett with Una Merkel as Daisy and Irish actor Tom Dugan as "Typewriter Man""Tommy Dugan" . The poor old typewriter gets bounced around a lot!
It's 73 years and a week since Carole Lombard, the highest paid and most gorgeous Hollywood star of the late 1930s, died, aged 33, in a plane crash at Double Up Peak, 32 miles south-west of Las Vegas. Happily, she left behind ample photographic and filmic evidence of her stunning beauty.
These included images, still and moving, of her using typewriters.
At least two of Lombard's movies, Up Pops the Devil in 1931 and True Confession (1937), prominently featured typewriters.
Up Pops the Devil was about an advertising man (Steve Merrick, played by Norman Foster) who quits his job to become a novelist, upsetting his wife (Anne Merrick, played by Lombard) and straining their marriage. 
Quite why the typebars on Norman Foster's typewriter are raised in this way I cannot imagine. Maybe he'd hit them with the frying pan and cooking ladle?

Screwball comedy True Confession was a box office success and one of Lombard's "wackiest" films. She played pathological liar Helen Bartlett, who wrongly confesses to murder. Bartlett is a typewriting "writer" but cannot think of anything to write and instead lives in her fantasy world of telling lies.  
Carole Lombard with press agent Russell Birdwell in 1938.





RIP Harry Gordon (1925-2015): Korean War Correspondent

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Australian war correspondents Harry Gordon (left), of the Melbourne Sun News-Pictorial newspaper, and Ronald Monson, of the Sydney Daily Telegraph, type their copy on portable typewriters in North Korea in 1950.
Harry Gordon, one of the last surviving journalists to have covered the 1950-53 Korean War, died late on Wednesday, aged 89, at his home on the Gold Coast in Queensland, Australia. Harry was just 24 when he was sent from Melbourne to Korea, and was one of the youngest war correspondents to cover that conflict. Harry also covered the Algerian War in 1960. In Korea, he worked alongside such legendary war correspondents as Marguerite Higgins and Richard Tregaskis.
Harry Gordon (left) and Roy Macartney, chief correspondent for the Australian Associated Press-Reuters, hauled down this Soviet Union flag from the city hall of the North Korean capital, Pyongyang. The Eighth US Army and the South Korean Army captured Pyongyang on October 19, 1950.
Henry Alfred Gordon was born in Melbourne on November 9, 1925, and educated at Melbourne High School, where he was the school’s middleweight boxing champion. In 1941 his family moved from Melbourne to Sydney, and Harry got a job as a copyboy with the Sydney Daily Telegraph at 25 shillings a week.
Harry joined the Royal Australian Air Force as an aircrew trainee when he turned 18 in November 1943. Toward the end of World War II, in 1945, he returned to the Daily Telegraph and spent the next four years honing his journalistic skills, moving on to the Brisbane Courier-Mail and then becoming sports editor of the Singapore Straits Times. He joined The Sun in Melbourne in 1949.
Harry Gordon with Korean villagers, 1950
The Sun sent Harry to Korea in 1950 and he was embedded with the Third Australian Infantry Battalion (3 RAR). 3 RAR was committed as Australia's main land force contribution to the joint United Nations forces in the War, arriving in Korea in late September 1950. The battalion formed part of the 27th Commonwealth Brigade and took part in the UN offensive into North Korea and the subsequent retreat into South Korea following the Chinese offensive in the winter of 1950–51. In October 1950, the battalion distinguished itself at Chongju during the UN northward advance to the Yalu River, where it attacked and captured a large North Korean defensive line in a combined arms operation with tanks and artillery. It was one of three units to receive the US Presidential Unit Citation after the Battle of Kapyong, fought between April 22-25, 1951. From October 3-8, 1951, 3 RAR fought the Battle of Maryang San, which is widely regarded as one of the Australian Army's greatest accomplishments of the Korean War. 3 RAR remained in Korea until the war ended in 1953, but by 1952 Harry was in London.
Harry Gordon, right, with fellow Australian war correspondents Lawson Glossop (Sydney Morning Herald) and Ron Monson on the Chongchon River bridge at Sinanju during the UN forces' advance through North Korea toward the Yalu River in late 1950.
Harry covered the 1952 Helsinki Olympic Games for Australian Associated Press, then returned to Australia to become this country's outstanding sports writer of the second half of the 20th century, travelling widely to cover Australia's Golden Era of Sport (1954-64). During this time he also started writing regularly for The New York Times magazine. But, back in London in 1960, his experience as a war correspondent was put to further use, as he covered the Algerian War before going on to the Rome Olympic Games. He was to cover the next 14 summer Olympic Games, up to London 2012.
Harry was appointed editor of the Melbourne Sun on New Year's Day 1968. Under his watch the Sun became the largest selling newspaper in the Southern Hemisphere. In 1973 Harry rose to the position of executive editor of the Herald and Weekly Times Group and in 1978 he was appointed editor-in-chief of Queensland Newspapers, where he transformed the Courier-Mail. He returned to Melbourne as editor-in-chief of the Herald and Weekly Times in 1984. He was also a director and then chairman of Australian Associated Press and in 1987 became contributing editor to Time Australia.
In 1980, Harry was made a Companion of the Order of St Michael and St George for his service to journalism in Queensland, and in 1993 he was made a Member of the Order of Australia for his service to the community and to the promotion of Australian sport. Harry wrote 15 books - one of which, An Eyewitness History of Australia (1976), won the National Book Council's First Prize for Australian Literature. In 1999 he was awarded the Australian Olympic Committee's Order of Merit. In 2001 the International Olympic Committee awarded him its highest honour, the Olympic Order. In 2002 he received Australia's inaugural award for Lifetime Achievement in Sports Journalism. In 2003 the Melbourne Press Club presented him with its Lifetime Achievement in Journalism Award. 
One of Harry's greatest achievements was launching a 1970 newspaper campaign to combat Victoria's 1000-plus annual road toll, which led directly to the state imposing a world first: mandatory seatbelts in cars. The law is now rigorously applied nationwide.

Who Was John Gardner, 'Typewriter Specialist, Inventor and Dealer'?

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Typewriter historians are familiar with the 1890s British curiosity the Gardner, an ultimately failed attempt to market in Europe a low-price (eight guineas), low-maintenance 13- or 14-key single type element machine expressly designed for correspondence. 
Lancastrian John Gardner, a self-styled "typewriter specialist, inventor and dealer" came up with the idea for this strange 7 3/4lb, 10 1/2 inches x 10in x 5 1/8in device with a 24 square inch keyboard sometime in the late 1880s. This was at the very time that Charles Spiro was convincing British typewriter importer William Richardson that buyers weren't so interested anymore in small, cheap typewriters, for just correspondence or any other purpose.
This advertisement appeared regularly in Manchester's The Guardian newspaper between mid-December 1894 and March 1895
As a consequence, so few of Gardner's typewriters were made and sold that when one came up for auction at Christie's in South Kensington, London, on March 3, 1994, it comfortably exceeded the estimated price range and sold for £3520 (or $US5267 at the exchange rate back then). The Gardner was described as having a nickel-plated frame on a japanned iron base with gilt scrolling. Three years after the sale, an image of this Christie's Gardner appeared in Michael Adler's Antique Typewriters:
The Gardner was manufactured by that name by the Gardner British Typewriter Company in Manchester, England, as the Victoria by Carl Lipp at Fuldaer-Schreibmaschinenfabrik in Fulda in central Germany and later, in 1899, in association with bicycle-makers Atilla-Fahrrad-Werke AG (formerly E. Kretzschmar & Co) in Dresden-Löbtau in eastern Germany, and in 1893 as the Victorieuse by German manufacturer Charles Terrot at his bicycle branch factory in Dijon in eastern France.
The 14-key keyboard, showing the action in depressing the spacebar and shift key in order to utilise all 84 characters. On the 13-key version, 78 characters could be typed.
There are two online insights into the Gardner, at Paul Robert's Virtual Typewriter Museum and an article written by Berthold Kerschbaumer on Richard Polt's The Classic Typewriter Page Typewriter Spotlights, under Gardner (Victoria). Paul wrote, "In retrospect, some typewriter designs are admired mostly because their inventors managed to invest tremendous energy and ingenuity in something that was bound to fail. The Gardner is a good example. It is one of the most impossible writing machines of all times." Berthold described the Gardner as "one of the most peculiar constructions in the long history of the typewriter". 
From the Breker Collection via the Virtual Typewriter Museum
As with early typewriter histories by Müller, Mares and Martin, there is much about the machine but nothing about its inventor - name and home city aside. The same applies in later books by Adler and Rehr (image below).
Eight years ago (almost to the day) Jeff Leater of the Yahoo typewriter online forum set out to unearth John Gardner, but said, "I tried to find info on John Gardner, the only one who came close in 1890 was a stationer. Gardner was a well known name in the area." There was a Manchester stationer called John Gardner, but he was born in 1858 and was married to a Harriet, so he wasn't our man. There was also a printer and a machinist, occupations which sometimes offer clues to identifying typewriter inventors, but not in this case.
From Müller
This week I went about finding the real typewriter-inventing John Gardner, and learned that Leater had been dead right: I had to call up at least 370 British census pages, checking out Mancunian John Gardners and other John Gardners in Lancashire, all but one of who were occupied in an utterly bizarre range of jobs (I never knew there was such a paid task as a "stiffener"). Finally I hit pay dirt, after many, many hours of searching.
And when I did, there was no mistaking that I had found the right man. John Gardner is quite possibly the only man in history to list himself on a census return form as a "Typewriter specialist, inventor and dealer". I'd had some hint this was how he described himself, as on his March 7, 1890, application for a US patent for his typewriter (issued November 24, 1891), Gardner said he was a "typewriter specialist", something I don't any other typewriter inventor has ever done. (This patent, for a 13-key machine, had been granted in England on May 27, 1889).
The 1890 13-key, one shift key machine patent drawing
The 14-key, two shift keys layout on the later Victoria (1899-1900?)
OK, so now we know at least a little about his gentleman. John Gardner was born in Rhodes, Middleton, Manchester, and baptised there on September 20, 1863. His father, also John, was at the time a "machine painter". Middleton is a town within the metropolitan borough of Rochdale, in Greater Manchester. It stands on the River Irk, five miles from Rochdale and 4 1/2 miles from the Manchester city centre.
The family moved about the county of Lancashire as John's father sought work and, following his death, John's widowed mother Sarah (née Jacques) battled to feed three young sons. At the time of the 1871 census, they were in Lancaster St Anne's, where John senior worked as a (billiards?) table baizer. By the time of 1881 census, John's father had died and John was living with his mother at Glossop, where he worked as the family breadwinner as a 17-year-old clerk. In early 1888 John married Emily Duckworth in Derbyshire. At this time John would have been well advanced in his typewriter venture, which was patented first the next year.
By 1891 John was living at 226 Manchester Road in Altrincham, a market town within the metropolitan borough of Trafford in Greater Manchester. It lies south of the River Mersey, eight miles from the Manchester city centre, three miles from Sale. John had lost a younger brother called Richard in childhood, and he and Emily now had a young son called Richard, as well as a six-month-old third generation John Gardner. The couple later had five more children; the last survivor among them, William, died in Norwich aged 100 in 1992, just two years before his father's typewriter was auctioned by Christie's. William's two daughters died in 2004 and 2007.
It is in the 1891 census that John describes himself as:
The 1895 Kelly's Directory of Manchester lists him as:
Paul Robert and Ernst Martin date the Gardner typewriter to 1890; Martin says the company was based at 64 Haworth Building, Cross Street. Wilf Beeching dates the machine from 1893. Mares says the typewriters were made at a plant on Carr Street, Manchester. 
Suggestions that the Gardner typewriter enterprise had gone out of business by the dawn of the 20th Century appear to be correct. There was no further Guardian advertising beyond 1895 (the year Berthold Kerschbaumer pinpoints for the end of English production)and by the time of the 1901 census John Gardner had moved with his large family out of the Manchester area altogether. He was working as a self-employed mechanical engineer in Preesall, a small town known at the time as Preesall with Hackensall, on the eastern bank of the estuary of the River Wyre. He was still in that area, at Knott End, Fleetwood, when the trail runs cold in 1911. Gardner was by then calling himself a mechanical and electrical engineer, "experimental only, no manufacturing", working on his "own account" from a home office, with son William assisting.
Anyway, here are some more Gardner typewriter words and images:
The type sleeve, very much like that of the Crandall single type element, was made of vulcanised "india rubber"
 The type action, also showing the back hammer
 From Mares
From Adler (he probably means 1889, not 1899)

Beating the Blues by Blogging ...

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... When a friend cries out for help

Farewell, My Lovely: The Perfekt Triumph

Hello Dolly! A New Home for an Old Home Remington Portable

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Don't ask me why I called her "Dolly". I don't know. I just did. The name came to me the moment I started to type with her. Maybe because she was assembled in England from US-made parts and sold in Scotland, a bit like a famous cloned sheep in some ways. Or, more likely, "One of my old-time friends from way back in the time when ..." Yes, you're looking swell, Dolly.
Dolly was sold as a "Chimes" Product by W. Simpson Bell & Co (sole Scottish agents for Woodstock typewriters) on George Street in Edinburgh in 1940, 75 years ago. I believe there was also "Chimes" typewriter ribbon. Her serial number is ES269227, which is interesting, since the Typewriter Age Guide only takes the Remington "Home" model portable up to No 269000, at the end of 1939.
Macdonald's Scottish Directory and Gazetter, 1939-40

Shock-Troops of the Press - and their Typewriters

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The death last week of Australian war correspondent Harry Gordon got me thinking about the extraordinary history of typewriter-wielding war correspondents and the plans to establish a memorial for war correspondents here in Canberra.
In the first half of 1943, many United States newspapers - at least those which were taking United Press's coverage of the wars in the Pacific, in Europe and the Middle East - ran this large advertisement describing UP's war correspondents as "Shock-Troops of the Press".  
Here is a closer look at the wording:
The artwork for the advert is supposed to represent United Press war correspondent Robert Carl "Bob" Miller carrying his typewriter in its case ashore at the storming of Guadalcanal.
Associated Press war correspondent Charles H. McMurtry writes his copy on Guadalcanal on November 25, 1945, as his pet parrot Flags watches on. McMurtry acquired the bird at Treasury Island while en route from Bougainville to Guadalcanal.
Charles Harold McMurtry was born on March 29, 1905, at Carthage, Missouri, where he graduated from the local high school. He died in Burlingame, California, on April 14, 1970, aged 65. After attending the University of Missouri from 1922-24, he was a newspaperman in Carthage and Jefferson City before joining AP in Kansas City, Missouri. In 1941 he was transferred to Los Angeles and spent most of World War II as Honolulu bureau chief and covering combat operations in the Pacific. In one incident he received severe burns as he pulled several sailors to safety during a kamikaze attack on the aircraft Hornet. His news dispatch told of the attack, but not his personal valour (see image below). McMurtry scored a scoop in reporting the death in a plane crash in Nevada of actress Carole Lombard in 1942. He was an AP correspondent during the Eniwetok-Bikini atomic bomb test in 1946, and helped cover the early astronaut landings near the Hawaiian Islands in the 1960s. 
The Guadalcanal Campaign, also known as the Battle of Guadalcanal and codenamed Operation Watchtower by Allied forces, was a military campaign fought between August 7, 1942, and February 9, 1943 on and around the island of Guadalcanal in the Pacific theatre of World War II. It was the first major offensive by Allied forces against the Empire of Japan. On August 7, 1942, Allied forces, predominantly American, landed on the islands of Guadalcanal, Tulagi and Florida in the southern Solomon Islands with the objective of denying their use by the Japanese to threaten the supply and communication routes between the US, Australia and New Zealand. In the months following the attack on Pearl Harbor in December 1941, the Japanese drove the Americans out of the Philippines, the British out of British Malaya and the Dutch out of the East Indies. The Japanese then began to expand into the Western Pacific, occupying many islands in an attempt to build a defensive ring around their conquests. The Japanese reached Guadalcanal in May 1942. When an allied reconnaissance mission spotted construction of a Japanese airfield at Lunga Point on the north coast of Guadalcanal, the situation became critical. This new airfield represented a threat to Australia itself, and so the United States, as a matter of urgency, despite not being adequately prepared, conducted the first amphibious landing of the war. The initial landings of US Marines on August 7, 1942, secured the airfield without too much difficulty, but holding the airfield for the next six months was one of the most hotly contested campaigns in the entire war for the control of ground, sea and skies. Guadalcanal became a major turning point in the war as it stopped Japanese expansion. After six months of fighting, the Japanese ceased contesting the control of the island. They finally evacuated the island at Cape Esperance on the north-west coast in February 1943.
Art Burgess and Leif Erickson of Associated Press and Pat Robinson of the International News Service type their stories in the press hut on Guadalcanal on November 3, 1943.
Robert C. Miller, known to fellow troops as "Baldy", was born on June 15, 1915, at Bound Brook, New Jersey, and died aged 89 on July 26, 2004, at Hilo, in Hawaii. He "turned up frequently on the battlefields of the world during 45 years". Miller roamed both the Pacific and Europe during World War II, and after the war his byline appeared on stories of conflict from the Middle East, Greece, India, Korea, Vietnam and Cambodia (where he was once captured by the North Vietnamese). "I have covered wars on every continent except Latin America," he said in a letter in 1982, requesting that he be sent to the Falkland Islands during the war between Britain and Argentina. Described as a colourful writer and a great storyteller, Miller served in a number of UP bureaus as reporter and manager, including Honolulu, Los Angeles, Fresno, Phoenix, Alaska, Sydney (1979-81) and Tokyo. In addition to wars, Miller also covered the Panmunjom peace talks that brought an end to the Korean War and the 1970 Paris talks seeking to end the Vietnam War.
Miller got his start with UP the day after he graduated from the University of Nevada in 1938, driving all night from Reno to Fresno in his Model A for his first day of work. He moved to San Diego five months later as the manager. Two years later he was reporting on Hollywood stars from Los Angeles, then he moved to Honolulu in early 1942 following the Japanese attack on Pearl Harbor, as UP built up its force of reporters throughout the Pacific theatre. Miller covered the battles of Midway and Guadalcanal, then returned to the United States in 1943 with injuries. In early 1944, Miller was one of 17 survivors of a US ship sunk by a German submarine in the English Channel. They floated in oily water for six hours before they were rescued. By June that year he was covering the invasion of Europe by Allied forces, including the liberation of Paris. Miller rode into Paris on the handlebars of a French civilian's bicycle. He was wounded again in September 1944, when at Verdun a piece of shrapnel tore into his right arm - he didn't worry, he was left-handed. He received the Purple Heart as a civilian. He returned to Europe in October 1945, to cover the Nuremberg trials of Nazi war criminals, but was forced to return to the United States because of wound complications.
Miller said, "A reporter must never forget he is merely an observer, a recorder of facts, a heliograph dedicated to relaying as accurately, vividly and as graphically as his talents allow, the events he is privileged to witness. The millions who rely upon him for their knowledge cover the entire spectrum of society. He is their eyes, ears, yeah, even their nose, but never their adrenal glands. If a reporter is unable to view this crazy, idiotic, exciting wonderful world from this detached observatory, let him become an editorial writer, politician or pundit. His days as a reliable Unipresser are over."
Miller's war correspondent uniform badge:
This article appeared in The Coronet magazine in 1944:
Other war correspondents were in this 1942 feature described as "Soldiers of the Press".
This (partially) became the title of a book by another war correspondent mentioned in the wording under the UP Guadalcanal landing artwork.
He was Henry Tilton Gorrell, a war correspondent for UP during the Spanish Civil War and World War II. Gorrell was born in Florence, Italy, on June 8, 1911. He become a reporter for the Kansas City Journal-Post in 1929, before joining UP in 1930. In 1933 he was assigned to the Buenos Aires office, then in October 1935, with the outbreak of war in Ethiopia, to the Rome bureau as assistant manager. But he was expelled from Italy in 1936 due to his reporting. Gorrell was part of the UP staff in Madrid during the Spanish Civil War. In 1936, he was captured by an "Italian tank crew and deported, by way of several jails" to France. Gorrell was the chief reporter with American troops for UP as the United States entered the war. For his actions during an air mission in 1942, he became the first correspondent to be decorated in the Middle East during World War II and only the second correspondent to be decorated during the entire war. He was awarded the Air Medal for gallantry by order of President Franklin D. Roosevelt. He also filed the first report on the invasion of Normandy in 1944.
Henry Gorrell, left, in Belgium in 1944
On August 26, 1944, he was among the first, along with Ernie Pyle, to enter the city after the liberation of Paris. Gorrell followed the British army to North Africa and Palestine and finally he covered a very obscure aspect of World War II, the revolt of Iraq. After the war, he left UP to establish and edit the Veterans' Report from 1946 until his death in Herndon, Virginia, on January 6, 1958, aged just 46. Gorrell's memoir, Soldier of the Press: Covering the Front in Europe and North Africa (1936-1943), was published posthumously in 2009. The memoir covers Gorrell's experiences on the battlefields of the Spanish Civil War and the war fronts in Greece, the Balkans, the Middle East and North Africa in World War II.
The third UP war correspondent lauded in the "Shock-Troops" ad was Leo Siewers "Bill" Disher Jr, born on February 24, 1912, in Winston-Salem, North Carolina. He died aged 57 on August 17, 1969, in Washington DC. After attending Riverside Military Academy in Georgia, Disher graduated from Duke University in 1932. He held newspaper positions on the Twin-City Sentinel of Winston-Salem and the Winston-Salem Journal. Later he was marine editor of the Charleston, South Carolina, Evening Post and joined UP in New York in 1939.
Major General Lloyd R. Fredendall pins the Purple Heart on war correspondent Bill Disher, who survived and reported on the action in Oran Harbor
Disher was in late 1942 awarded the Order of the Purple Heart by Major General Lloyd R. Fredendall for "extraordinary heroism and meritorious performance of duty" at the Battle of Oran Harbour in Algeria on November 8, 1942. Disher was aboard a US cutter which forced the entrance to the harbour under heavy fire from shore batteries. Most of the military personnel of the ship were killed or wounded. Disher suffered 11 wounds from shrapnel and bullets, as well as 15 superficial scratches. He already had a broken ankle when the action began, resulting from an earlier injury aboard ship. The award citation read, "In face of withering enemy fire, although several times wounded, Disher remained at his post on the vessel which was taking him ashore and continued to report for the public press a lucid, accurate and detailed account of the action, in which the greater part of the military and naval personnel aboard the ship be came casualties." After being ordered to abandon ship, Disher swam to shore.
United Press war correspondent H.D. "Doc" Quigg working at his typewriter in front of a Japanese hut in New Guinea in 1944.
Horace Dasher "Doc" Quigg was born in Marshall, Missouri, on November 22, 1911, and died aged 86 in Manhattan on May 12, 1998. His family moved to Boonville, Missouri, in 1914, where H.D.'s father was a physician, civic leader and mayor. Quigg's nickname "Doc" started as "Young Doc Quigg", in reference to his father's position. Quigg Jr completed bachelor of arts and journalism degrees at the University of Missouri in 1934 and started his journalism career at the Boonville Daily News. In 1936, he began working for United Press in Cleveland, Ohio, and transferred to New York City in 1937.  During World War II he covered the Pacific Theatre and General Douglas MacArthur's return to the Philippines. In 1947 he travelled to Antarctica with Admiral Richard E. Byrd's expedition. Quigg was named senior editor at UPI in 1967 and retired in 1985. He was given a Society of Silurians award for distinguished reporting and the University of Missouri's Honor Medal for distinguished service in journalism. He covered a number of major court cases, including the trials of Jack Ruby, Alger Hiss, Dr Sam Sheppard and James Earl Ray. Many of UPI's feature stories about events of national interest carried his byline, such as the moon landing, the shootings from the tower of the University of Texas and the inquest into the drowning of Mary Jo Kopechne on Chappaquiddick Island.
Cy O'Brien uses a Hermes Baby typewriter on Guam in 1944.
Cyril John 'Cy' O'Brien was born on January 30, 1919, in St John's, Newfoundland, Canada, grew up in Camden, New Jersey, and began his journalism career as a court and police reporter for Camden's Courier-Post newspaper. In 1942 he joined the Marine Corps, serving first as an infantry scout and then as a combat correspondent. His bylined stories described the fierce fighting in the Pacific campaigns of Bougainville and Guadalcanal, as well as the US invasion of Guam, and earned him acclaim from Admiral Chester W. Nimitz. As a roving reporter with the 3rd Marine Regiment on Guam, O'Brien watched the raising of the American flag on Mount Suribachi from the beach of Iwo Jima. His articles on critical war events were transmitted by the Associated Press, UP and the International News Service to publications and broadcast networks around the world. When he died in Maryland aged 92, on January 31, 2011, US Congresswoman Madeleine Z. Bordallo described the former US Marine combat correspondent's coverage as providing America "with a unique perspective of Guam’s Liberation for all who study Guam history and World War II in the Pacific. As a leader in the 3rd Marine Division Association, O’Brien returned to Guam on many occasions for Liberation Day and to lobby in support of Guam War Claims.” He also led trips back to New Zealand, the Solomon Islands and other WWII sites.
O'Brien had "captured the brutal liberation of Guam on a typewriter". At the time of his death, he was the oldest known Marine combat correspondent.
Following the war O'Brien returned to the Camden Courier-Post, later becoming a feature writer for the Long Island Press in New York and then the Stroudsburg Record in Pennsylvania.  He also served as a columnist for two New Jersey papers, the Trentonian and the Times-Journal of Vineland. In 1948 O'Brien moved to the Washington DC area as a congressional correspondent for the Erwin (Texas) News Service. During the Korean War he joined the Marine Corps Reserves, which he left in 1963 having earned the rank of captain and the Marine's Sibi Non Patri Award to honour his service. Meanwhile O'Brien earned a BS in English (1942) from St Joseph's College in Philadelphia and later an MS in communications (1965) from American University in Washington DC.
In 1949 he began a 34-year career at the Johns Hopkins Applied Physics Laboratory in Laurel, Maryland, leading its public and media relations group.  His ability to present complex technical subjects in plain language helped secure worldwide media coverage for APL programs such as the Transit satellite navigation system, the Aegis ballistic missile program and APL-built satellites that took the first images from space of the curvature of the Earth and the first colour pictures from space of the whole Earth. He covered the first launches of the Navy Navigation Satellite System from Cape Canaveral and landmark AEGIS weapons system missile firings from a Navy ship in the Pacific.
He was historian for the New Jersey State Society in the late 1960s and on the Montgomery County Maryland's Bicentennial Commission in 1976. He was president of the Montgomery County Press Association in the early 1970s and of the Mid Atlantic Association of Industrial Editors from 1960-61. In 1960, he was named the MAAIE's "Editor of the Year". He was a longtime member of the National Press Club (more than 62 years), the American Newspaper Guild, and the White House Correspondents Association.  
O'Brien contributed to publications such as Stars and Stripes (for which he was still writing into his 90s), Leatherneck and VFW magazines, Naval Aviation News, and many newspapers. He also served as editor of the laboratory's internal newsletter, the APL News, and in 1982 he wrote much of the laboratory's anniversary book, The First Forty Years. He retired in 1983.
O'Brien, front, in 2009
In 2008, he delivered the keynote address at the re-dedication of the War in the Pacific National Historical Park in Guam, which commemorates the bravery and sacrifices of those who took part in the campaigns of the Pacific theatre in World War II. In 2010 the Guam legislature passed a resolution commending O'Brien for his "sacrifice and service" to the people of Guam, which also referenced two of his books: one on Guam, Liberation,  and another, Two Score and Ten that includes many anecdotes from the 3rd Marine Division in Guam.
Don Whitehead of Associated Press sits in a foxhole to write his story on his Hermes Baby about the landing at Anzio Beach in Italy on February 16, 1944.
An Italian boy peeks over the shoulder of Don Whitehead as he writes a story on his Hermes Baby before embarking on the invasion of Italy below Rome.
Donald Ford Whitehead was born on April 8, 1908, in Inman, Virginia. He was raised in Harlan, Kentucky, and at age 10 his first news story for the local newspaper about a murder that he had witnessed. The story was rejected because it was late. Whitehead learned an invaluable lesson about "getting the story while it’s hot", which he would use later in life. He earned his degree in journalism from the University of Kentucky in 1928. After graduating, he worked for the Lafollette Press. Whitehead then became city editor of the Harlan Daily Enterprise, covering the 1930s Harlan County labour wars. In 1934, he went to work as a reporter for the Knoxville Journal and in 1935, he joined the Associated Press as a night editor in Memphis.
Whitehead's skill as a feature writer earned him a promotion to AP's New York bureau in 1941. In 1942 he was sent by AP to Egypt, where he was assigned to the British Eighth Army as it began its campaign against Rommell's Africa Corp.  Next, Whitehead went on the invasion of Sicily and Italy. He covered the Allied invasion of Sicily at Gela with the First Infantry Division, the Allied invasion of Italy at Salerno, and the Italian campaign. He landed at Anzio in January 1944. He was then transferred from the Italian front to London to join AP's staff preparing for the invasion of France. Whitehead landed on Omaha Beach on D-Day, June 6, 1944, with the First Infantry Division's 16th Regiment. He covered the push from the beachhead, Operation Cobra at Saint-Lô, and the pursuit across France. He scored the first story on the Liberation of Paris and covered the US First Army's push into Belgium and into Germany, and the crossing of the Rhine River. He also covered the meeting of American and Russian troops on the Elbe River. Whitehead earned the nickname "Beachhead Don" because he was present at so many allied landings, five in all. He was awarded the Medal of Freedom by President Harry S. Truman.
Whitehead later covered post-war atomic testing and the Korean War in 1950. For this he was awarded the Pulitzer Prize in 1951, followed by the George Polk Memorial Award for wire service reporting. In 1952 Whitehead won another Pulitzer Prize. It was awarded for his international reporting on a secret fact-finding trip to Korea taken by President-elect Dwight D. Eisenhower. Whitehead went on to write six books, including 1956's best-selling The FBI Story, a history of the FBI from 1908 to 1955. He was Washington bureau chief for the New York Herald Tribune in 1956 and a columnist for the Knoxville News-Sentinel before retiring in 1978. His book, The FBI Story was adapted into a 1959 movie. Whitehead died aged 72 in Knoxville, Tennessee, on January 12, 1981.
Sporting a "Mohawk" haircut, Sergeant Frank Woolner, above, works his Royal portable typewriter on top of a petrol can during the winter of 1944-45,  somewhere in Belgium or Germany. Francis Mathews Woolner was born in Worcester, Massachusetts, on October 8, 1916. He died aged 77 in Shrewsbury, Massachusetts, on August 11, 1994. Woolner saw frontline combat action during 1944 as a reconnaissance sergeant with the 703rd Tank Destroyer Battalion of the 3rd Armoured Division through France and Belgium. He also served as the battalion's chief writer for press and historical purposes, as he had in 1942-44 during the 703rd's training in the US and England. In September 1944, Woolner was promoted to the division headquarters G-2 Section (intelligence and public affairs). There, he went to work for Lieutenant Colonel Andrew Barr and Major Haynes Dugan as a war correspondent, historian and observer. When the war ended in May, 1945, Woolner stayed in occupied Germany with a headquarters production staff to research and publish the 3AD history Spearhead in the West. Woolner was the author of the main narrative of the book, which would become a military classic and is a collector's item today. He returned to the US in the fall of 1945.
Woolner became a nationally recognised expert on ocean and fresh-water sport fishing. He was also an authority on hunting, natural history and conservation in New England. Woolner was also a newspaper columnist.
Associated Press war correspondent Vern Haugland was listed as missing on August 12, 1942, after a plane in which he was passenger disappeared in a storm between Australia and New Guinea.
Vernon Arnold Haugland was born on May 27, 1908, in  Litchfield, Minnesota. In 1913, the family moved to a ranch in Meagher County, Montana. After graduating from Gallatin High School, Haugland attended the University of Washington for two years, and finished his degree at the State University of Montana in Missoula in 1931, receiving his BA in Journalism. He then worked for two years with the Missoula Sentinel and the Daily Missoulian. In 1933 he moved to Butte, Montana, and worked as a general reporter for The Montana Standard, and in 1936 Haugland joined  Associated Press Salt Lake City bureau. Two years later he transferred to the Los Angeles bureau. While there he was given the assignment of dating the 10 most eligible ladies of Hollywood. When the Japanese attacked Pearl Harbor on December 7, 1941, Haugland volunteered for overseas duty. He was the first AP reporter to arrive in Brisbane, Australia. On August 7, 1942, the B26 bomber, the Martin Marauder, that Haugland was travelling in ran out of fuel, forcing him and the crew to bail out over New Guinea. Haugland was lost in the New Guinea jungle for 47 days. For most of that time he wandered, often alone. He wrote a book, Letter From New Guinea, about his experiences in 1943. In recognition for his heroism, General Douglas MacArthur pinned a Silver Star on Haugland on October 1, while he was still delirious from starvation and exhaustion. Haugland was the first civilian to receive the Silver Star. After recovering, he continued to cover the war in the Pacific. Towards the end of the war, Haugland became an air correspondent with AP and was in a special group of correspondents who were the first to arrive in Shanghai and visit Hiroshima and Nagasaki after the dropping of the atomic bombs. At the end of the war, he was assigned to cover the Indonesian Revolution. Haugland was assigned to AP's Washington bureau and in 1951 took over as aviation editor, a job he held for the next 21 years. Starting in the 1950s until his retirement, he covered the NASA space program. NASA called him "the world's most experienced splashdown reporter". Haugland retired from AP in 1973 and moved to San Clemente, California. Haugland never retired from writing, however. He wrote two books on the Eagle Squadrons, a group of American men during World War II who flew for the British before America entered the war. He was finishing the third book when he died in Reno on September 15, 1984, aged 76. His wife finished the book for him.
Larry Allen, Associated Press war correspondent who almost lost his life before being rescued in the Mediterranean after the British cruiser Galatea was sunk in mid-December 1941, is shown in bed in an Alexandria, Egypt, hospital on January 28, 1942, typing out the story of his experience. 
Laurence Edmund Allen was born in Mount Savage, Maryland, on October 19, 1908. After attending schools in several states he began his career in 1926 on the Baltimore News. In later years he was a reporter for the Washington Herald and Associated Press. He served as a European war correspondent from 1938 to 1944, writing from warships in the Mediterranean and winning a Pulitzer Prize for his reporting in 1942. He was held in a Nazi prison camp for eight months. After the war, he covered the Communist takeover of Poland. Allen then moved to Moscow in 1949 where he headed the Associated Press news bureau, and the next year held the same post in Tel Aviv. War coverage was Allen's special forte, so in 1951 he headed for South-East Asia, where he wrote about the French-Indochina War and was present at the battle of Dienbenphu. By 1957 the Caribbean had become a world trouble spot and Allen shifted his focus to the Castro takeover in Cuba. In 1960 he became head of the American Press Service, which specialised in Latin American news coverage. He died aged 66 in Mexico City on May 12, 1975.
David Greendrug Wittels, seen above typing in New Guinea during the Pacific War, was born on April 22, 1905, in Camden, New Jersey, and died aged 71 in 1976 in Upper Darby, Pennsylvania. After the war he became an investigative reporter for the Philadelphia Record and a writer for the Saturday Evening Post. He was also involved in radio work.
Master Sergeant John A. Kutcher, of Portland, Oregon, looks on as Associated Press correspondent Bill Boni, of New York, works at his Royal portable typewriter somewhere in New Guinea on August 5, 1943. Boni was awarded the Purple Heart decoration in recognition of wounds received on July 9 when the barge on which he was a passenger was strafed by machine guns and cannons off Nassau Bay on the New Guinea coast.
William Frederick Boni was born on June 14, 1910, in Drachen, Holland, and died aged 85 on September 15, 1995, in Springfield, Vermont. He was a sportswriter-turned-war correspondent. His book, Want To Be a War Correspondent? Here's How ..., which recounted his wartime experiences, was published in 1995. His family settled in the US when he was five and he began covering sports for the New York Evening Post in 1935. He took a sportswriting job at AP two years later and became AP's domestic military editor in 1942. Later that year he went to Australia as an AP war correspondent. He also covered battles in China, Burma, India and Europe. After the war, Boni established the AP's bureau in Amsterdam, then left to become sports editor for the military newspaper Stars and Stripes in 1946. He later wrote about and edited sports for newspapers in Seattle, Spokane, Washington, and St Paul, Minnesota, before joining his father's publishing firm in Vermont.
Kirke L. Simpson, Associated Press war analyst and Pulitzer Prize winner, sits at his typewriter and his maps to study the day’s war dispatches and report for Associated Press member newspapers on September 2, 1943.
Kirke Larne Simpson was born on August 14, 1881, in Pasadena, California. He died, aged 90, on June 16, 1972, in Los Gatos, California. He was an AP man in San Francisco and Washington for 37 years. His 1921 story on the burial of the Unknown Soldier won the first AP byline and the first Pulitzer Prize ever awarded a news service man. It still appears in journalism textbooks. For many years he was AP's Washington political columnist. He broke the news of Teddy Roosevelt' Bull Moose campaign, and made "smoke-filled room" a potent political phrase. Simpson retired in 1945.
Bob Miller wasn't allowed to cover the Falklands War, deemed too old at 67 in 1982, but Max Hastings (now Sir Max) did get there, with his Olivetti Lettera 32 portable typewriter. Max Hugh Macdonald Hastings was born in Lambeth, London, on December 28, 1945. A noted British journalist, editor, historian and author, he is the son of Macdonald Hastings, a journalist and war correspondent. Hastings was educated at Charterhouse School and University College, Oxford. He then moved to the US, spending a year (1967–68) as a Fellow of the World Press Institute. Hastings became a foreign correspondent and reported from more than 60 countries and 11 wars for BBC TV's 24 hours current affairs program and for the Evening Standard in London. Hastings was the first journalist to enter the liberated Port Stanley during the Falklands War. After 10 years as editor and then editor-in-chief of The Daily Telegraph, he returned to the Evening Standard as editor in 1996 until his retirement in 2002. He received a knighthood in 2002. He is the author of many books, including Bomber Command, which earned the Somerset Maugham Award for non-fiction in 1980. Both Overlord and The Battle for the Falklands won the Yorkshire Post Book of the Year prize. Hastings was named Journalist of the Year and Reporter of the Year at the 1982 British Press Awards, and Editor of the Year in 1988. In 2010 he received the Royal United Services Institute's Westminster Medal for his "lifelong contribution to military literature", and the same year the Edgar Wallace Award from the London Press Club. In 2012 he was awarded the $100,000 Pritzker Military Library Literature Award, a lifetime achievement award for military writing, which includes an honorarium, citation and medallion, sponsored by the Chicago-based Tawani Foundation. Hastings writes a column for the Daily Mail and often contributes articles to other publications such as The Guardian, The Sunday Times and The New York Review of Books.
BELOW: This is not a war correspondent, but Burgess Meredith playing Ernie Pyle in The Story of G.I. Joe, also credited in prints as Ernie Pyle's Story of G.I. Joe, a 1945 American war film. The film was nominated for four Academy Awards, including Robert Mitchum's only nomination, for Best Supporting Actor. The story is a tribute to the American infantryman ("G.I. Joe") during World War II, told through the eyes of Pulitzer Prize-winning war correspondent Pyle, with dialogue and narration lifted from Pyle's columns. Meredith and the real Pyle are seen together below during filming. Burgess did serve in the war, in the US Army Air Forces, reaching the rank of captain. He was discharged in 1944 to work on the movie.

Why Typewritten Matter Still Matters

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Associated Press's report on the final scheduled round of the epic 1965 United States Open golf tournament at the Bellerive Country Club in St Louis. Gary Player beat Kel Nagle in an 18-hole playoff. With his win, Player joined Gene Sarazen and Ben Hogan as the (then) only golfers to win all four professional major championships, the career Grand Slam. 
I do hesitate to raise sporting matters on a blog generally dedicated to typewriters. I fear most Typospherians find sport as boring as dog do. However, I simply cannot resist mentioning the death this morning, at the age of 94, of the great Australian golfer Kel Nagle, winner of the 1960 Centenary British Open at St Andrews. Of all the people I've met through typewriters these past 16 years, perhaps only Diane Jones's partner Steven Harrison has been game enough to express an interest in golf (and in his case, I must admit, an intense interest).
The reason I want to write about Kel Nagle now is that, in all the outpourings of grief, the tributes and the gripping yarns about him that will appear online from across the world today, not one - this post aside - will mention one of Nagle's greatest golfing achievements.
You see, this achievement does not appear anywhere in Nagle's astonishing and well-documented record of golf performances. It was not a tournament he won, and he won plenty (60, quite aside from the Centenary Open). Instead, it was a tournament in which he lost a play-off to Jack Newton, at Kempsey, New South Wales, on March 11-12, 1972.
I know about this achievement because, unlike any other past or present golf writer anywhere in the world, I was there and I saw it. I alone covered the event, for this country's national daily, The Australian, using an Olivetti Lettera 32 portable typewriter.
Since back copies of The Australian have not yet been digitised by the National Library of Australia, and do not appear online on its extensive Trove site, my stories about what Nagle did in Kempsey in 1972 are not accessible on the Internet. Ergo, even if a more enterprising journalist decides today to go beyond Wikipedia and the normal range of Internet sources to write an obituary for Nagle, he or she will not find this absolute gem. And believe me, it is something which should be included, in every obituary about Nagle.
Here, at least to me in these circumstances, is a prime example of why original, typewritten and printed copy remains invaluable to recording history - whether it be sporting or any other kind of history. The fact that it may not be digitised must in no way diminish its importance.
I'll be as brief as I can. In early 1972 there was a falling out between the Australian Golf Union and the Australian Professional Golfers' Association (PGA) over the right to schedule professional tournaments in this country. All our golf clubs are, naturally, affiliated to the AGU, which means the AGU exercises control over all of our championship golf courses. When, in 1972, the PGA refused to continue to cede the right to schedule professional tournaments to the AGU, the AGU barred all PGA members from all courses in Australia.
Kempsey golf course
The Kempsey Golf Club made a very brave decision. It decided to go ahead with its pro-am on March 11-12, 1972. In doing so, it knew full well it would be disaffiliated and its facilities barred to rank-and-file golfers by the AGU. A large number of professional golfers, including Nagle, Newton and the fabulous Billy Dunk, made the equally brave decision to play at Kempsey. They too knew they could be barred from every course in the country.
Nagle probably had much more to lose than most. Through the AGU's international affiliation, a ban on him could conceivably have extended beyond our shores. Newton at the time was still a young (22-year-old) up-and-comer. Dunk rarely ventured beyond Australia and New Zealand. But Nagle was still very much a major worldwide figure in golf.
I must stress these guys didn't travel to Kempsey for the money. The pro-am had an (even then) paltry $2500 at stake. The pros went because they wanted to show solidarity, that they were backing their association on the issue in question. They believed that, as the players drawing the crowds and the sponsorship dough, they had a right to have a say in the scheduling of professional tournaments. Going to Kempsey, breaking the AGU boycott, was their way of standing up for that right.
Let bygones ... Nagle with Peter Thomson in 2013
One leading Australian professional sided with the AGU - Peter Thomson. Nagle and Thomson were by far and away our two greatest golfers from the late 1940s through to the mid-1960s and the emergence of Bruce Devlin, David Graham and Bruce Crampton. Thomson and Nagle were world beaters when few Australian golfers were in that class. I won't say here whether Nagle and Thomson were especially close, but I will say that Nagle's decision to go with his fellow PGA members to Kempsey would have unquestionably widened any gap that existed between them back then.
Given that I had, virtually lone-handed, covered this dispute on a daily basis, all the while risking litigation from Thomson, The Australian made the decision to send me to Kempsey to cover the event, a decision no other Australian newspaper was prepared to make. To this day I'm glad it did. It remains one of my most cherished sportswriting memories. There was a certain poignancy in Newton, representing the immediate future of Australian professional golf, beating the old guard, represented by Nagle, in an event which had huge significance for the ongoing well-being of Australian golf.
Aside from all that, without me and my Olivetti, the tournament might have gone unrecorded. It's still not online, but that doesn't mean it didn't happen. 
The unfortunate thing is that it won't get a mention elsewhere today, because it was a momentous occasion in Kel Nagle's long life and brilliant professional golfing career. He deserves credit for having the guts to do what he did back then. It was a huge risk, a threat to his livelihood. But Nagle had principles, strong ones, and that's what he should be remembered for now, as much as for his golfing successes.
Thanks to a typewriter, one day that fact might be more widely known.
From the day when golf writers got out on the course, and didn't rely on computerised information being force fed to them back in the press tent.
*Kelvin David George Nagle was born in North Sydney on December 21, 1920. He won at least one tournament each year from 1949 to 1975. He won 61 tournaments in Australasia (next best is Greg Norman with 31), as well as the Canada Cup for Australia in partnership with Thomson in 1954 and 1959. At the 1960 Centenary British Open, Nagle beat Arnold Palmer, who edged out Nagle in the 1961 Open. As late as 1970, the year he turned 50, Nagle was ranked among the top 10 players in the world on Mark McCormack's World Golf Rankings. In July 2007, Nagle was elected to the World Golf Hall of Fame.

RIP Colleen McCullough

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Australian author Colleen McCullough died in hospital on Norfolk Island today, aged 77. McCullough was born in Wellington, New South Wales, on June 1, 1937. Her mother was a New Zealander of part-Māori descent. McCullough's best-known work was The Thorn Birds
Before entering tertiary education, she had earned a living as a teacher, librarian and journalist. She worked as a neuroscientist in Royal North Shore Hospital in Sydney. In 1963 she moved to Britain and then spent 10 years from April 1967 researching and teaching in the Department of Neurology at the Yale Medical School in New Haven, Connecticut. It was while at Yale that she wrote her first two books. One of these was The Thorn Birds, which became an international best seller and in 1983 a popular television mini-series.
In 1980 she settled in the isolation of Norfolk Island, a small island in the Pacific Ocean situated between Australia, New Zealand and New Caledonia, 880 miles directly east of mainland Australia's Evans Head. The island is part of Australia.

Don't Tell Me What To Do, You Stupid Machine

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My primary use for a computer is to play Solitaire. This provides a constant reminder that my brain power, my ability to think, to work out programs and solve problems, is vastly superior to a machine's ability to operate the program. Thus I win 97 per cent of the time. Beat that, stupid machine!

Blind faith no more - Oz opens its eyes as PM falls on sword over Sir Phil the Greek

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This Facit TP1 portable typewriter belongs to former journalist Graham Downie, famous in Canberra newspaper circles for his run-in with a former Prime Minister. It is absolutely astonishing that Graham can use this typewriter at all. Why? See below.
Typed on Graham Downie's Facit TP1 with wonky ribbon spools mechanism.
Born on a table top in sunny Corfu
Greekest isle for habits taboo 
Stuck in a fruit box, to Blighty skidoo 
Shagged him a queen when she was 22. 
Philo, Phil the Greek, Knight of the land of Oz.
- with apologies to The Ballad of Davy Crockett writers George Bruns (corr) and Thomas W.Blackburn
'I thought those oarful Oarsetralians were still throwin' spears at one another! I didn't realise they were throwin' knighthoods around, too! '*
*Think I'm exaggerating? In 2002, this Greek gigolo asked Australian Aborigines, "Do you still throw spears at each other?" I kid you not.
Phil the Greek, His Royal Highness The Prince Philip, Duke of Edinburgh, Earl of Merioneth, Baron Greenwich, Royal Knight of the Most Noble Order of the Garter, Extra Knight of the Most Ancient and Most Noble Order of the Thistle, Member of the Order of Merit, Grand Master and First and Principal Knight Grand Cross of the Most Excellent Order of the British Empire and now Knight of the Order of Australia. This was Australian Prime Minister Tony Abbott's idea of a very sick Australia Day joke.
Facit TP1 owner Graham Downie
Tony Abbott and Graham Downie are at the opposite ends of the human spectrum. One has a lifetime record of serving with diligence, honesty and sincerity the best interests of Australian men and women. Unlike Tony Abbott, who is happily on the way out as Prime Minister of Australia, already retired Canberra journalist Graham Downie has a very good excuse for not being able to see the lay of the land. Graham is totally blind, but still able to use a typewriter. And I mean a manual portable typewriter, not a Perkins Brailler (which he also uses). In a long career in print newspaper journalism, Graham wrote tens of thousands of words on his Facit TP1 typewriter.
When the then 64-year-old Graham retired after more than 40 years at The Canberra Times, in early October 2012, chief-of-staff John-Paul Moloney wrote a enchanting story about him, which I have adapted here:
Downie started out as a switchboard telephonist at The Canberra Times and in July 1972 applied to the then editor John Allan for a job helping write the consumer affairs column, Voters' Voice. ''I am not a journalist, but I am practised in writing reports,'' Downie wrote. Those reports - extensive coverage of synods - were typed on Graham's Facit TP1 portable typewriter, not a Brailler, so that they were sub-editing and typesetting ready.
Allan knocked back Graham's application. "The problems are rather too great. Voters' Voice requires a great deal of research of material supplied by people who complain and those who are defending themselves. I do not think it would be a practicable proposition to employ you to handle the position."
Graham moved to Victoria and took a job with the Guide Dogs Association. But on a visit back to Canberra a year later he applied again, this time in person to the new editor Ian Mathews. Mathews agonised over the request, struggling to see how it could work to have a blind newspaper reporter. Among many practical concerns, the newsroom was a chaotic maze of a place in Mort Street. Corridors were often jammed with reporters' rubbish bins. As deadlines bore down, reporters would move fast and frantically. It hardly seemed a place for a blind man. There was also the clerical support that would be needed. Someone would need to read mail to Graham and help with filing. Finally, there was the question of whether the readers themselves would accept that a person who can't see could solve their problems.
But this was Graham Downie, and he had shown surprising potential during his stint as a telephonist. Mathews wrote to Graham in November 1973, ''I feel that whatever objections or reservations I may have about a blind man working in the editorial department of The Canberra Times, it is not realistic to make a decision until the matter has been proved in a practical way. Therefore, I will offer you a position as a D-grade journalist at a weekly salary of $93 on the understanding that the position is reviewed realistically at the end of three months. In the final analysis, it will depend on how good a journalist you are."
Graham went on, over almost 39 years, to deal with an estimated 14,600 people in what became the longest running column (renamed "Consumer Voice)" by an individual in an Australian metropolitan newspaper. He tackled all kinds of shonks, snake oil salesmen, dodgy tradies and uncaring corporations. His ''please explain'' letters, at first typed on his Facit TP1, resulted in thousands of wins for his ''regular punters''. He named and shamed and made a difference in the lives of one Canberran or another just about every week of his career. Within months of starting as a reporter, Graham was offered the religious affairs beat, known then simply as the "God round''. He reported on ideological battles between conservatives and progressives, on issues such as religious celibacy, women priests, sex abuse and gay marriage.
Like the late author Colleen McCullough, Graham was born in Wellington in country New South Wales and grew up on a farm 60 miles from Wagga Wagga. In his earliest years he had a small amount of sight in one eye and could read some large print, such as newspaper headlines. But a school accident when he was 11 took away that tiny amount of sight. Even the small ability to register light slipped away from him from over the next 20 years.
Long before I found he still used a typewriter, the thing that first astonished me about Graham was his ability to listen to music and rearrange the tunes, with his passion for playing guitar. I was pleased to be able to help him in this, as we shared a fondness for the late, great Canadian folk singer and songwriter Stan Rogers. Like James Joyce, Graham's blindness never prevented him from knowing exactly where he was at any one time.
Graham's famous run-in with a former Prime Minister was with Paul Keating in 1996. In an odd set of coincidences, around the time of Abbott knighting Phil the Greek, we were reminded of that tumultuous political period from 19 years ago, when John Howard, the PM so admired by Abbott, succeeded Keating.
Ian Warden wrote, "If you had to choose the single most awful thing about John Howard as displayed during the long, unpleasant years of his prime ministerships, what would it be? Yes, I know the selection is bewilderingly huge, a smorgasbord, but some of us would plump for the artful ways in which he was, to use Nick Dyrenfurth's words, 'mateship's best mate'. Howard's insincere invocations of 'mate' and 'mateship' seemed to give our politics a sentimental kitschness, a khaki hue. It's heartening to be reminded by Dyrenfurth's Mateship - A Very Australian History, that one was not alone in being driven up the wall by Howard being (surely only pretending to be) mateship's gun chum. Here from the book is the Howard-goaded Michael Leunig, going up the wall with us. 'Howard's use of 'mate' is all wrong, and deliberately so, for he has nicked the word from the old working class so he can pose as a salt-of-the-earth, egalitarian bloke. But he's no such man; he's from the silver-tail tribe, as everybody knows. He might as well dangle corks from his Akubra hat. Howard is not a mateship man ... he speaks fluent spin, but mateship and its language are not really in his bones.'"
That appeared two days before Abbott dropped his knighthood clanger. The next day, on the eve of Australia Day, Opposition Leader Bill Shorten launched Dyrenfurth's book and used the opportunity to urge Australians to support an Australian republic and head of state, arguing it would reflect the nation's "modern identity, our place in our region and our world". Last Friday, in the Good WeekendDavid Day wrote about Keating "never completing" his vision for Australia after a defeat "that still leaves him rankled nearly two decades later". The story referred to Keating moving out of PM's residence, The Lodge, and into "rented accommodation in the former East German embassy in Canberra's suburban Red Hill".
Former Prime Minister Paul Keating
This is where Graham comes in. The Canberra Times ran a front page photo which clearly identified the street and street number of the rented accommodation, and an already angry Keating was beside himself with rage. First thing Saturday morning he called The Canberra Times to express his intense displeasure. Unfortunately, the only person in the building at the time was Graham.
Graham politely answered the call, only to be subjected to an outpouring of abuse. Not knowing the circumstances, Graham, just kept saying, "Yes, Mr Keating". Frustrated that he wasn't getting anywhere with his complaint about the photo, Keating finally burst out, "What's the matter with you? Are you f***ing blind?" To which Graham calmly replied, "Yes, as a matter of fact I am, Mr Keating." The former PM responded, "Well, put someone on who can see!"
Here is the barely-touched Perkins Brailler I have promised to give Graham to replace his own well-used and almost worn-out machine. I have no use for it here anymore, so Graham might as well operate it:
Graham's Facit TP1 was in need of a good service. Someone had borrowed it and used WD40 on it. At first I thought I had overcome the problems of a heavy touch and a sluggish carriage by simply using a degreaser. That fixed the touch and carriage, but unfortunately the congealed WD40 had also got in under the ribbon spools capstan, and I have yet to get the spools turning as they should. 
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